About.
The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.
The Wrong has grown to become a massive international community and a global reference in the art scene, bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura 2o19 and the honorific mention by European Commission S+T+ARTS 2o2o prize.
A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.
Since 2o13 The Wrong Biennale has featured art and work by over ten thousand artists and curators, showcased in over six hundred pavilions, embassies and institutions around the world.
Open Call 2o23/24.
Join the 6th edition of The Wrong Biennale, from November 1, 2o23 to March 1, 2o24, as artist, curator or institution. Read more.
2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 1, 2o24.
The Wrong has grown to become a massive international community and a global reference in the art scene, bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura 2o19 and the honorific mention by European Commission S+T+ARTS 2o2o prize.
A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.
Since 2o13 The Wrong Biennale has featured art and work by over ten thousand artists and curators, showcased in over six hundred pavilions, embassies and institutions around the world.
Open Call 2o23/24.
Join the 6th edition of The Wrong Biennale, from November 1, 2o23 to March 1, 2o24, as artist, curator or institution. Read more.
Credits.
2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 1, 2o24.
“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.
“Lo mejor del arte digital” - El País.
“A sign of hope for a new wave of artists.” - STIR.
“Mola mucho.” - Lluenta Modernor.
“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS 2o2o Jury.
Donate.
The Wrong Biennale, a non-profit without institutional affiliations or funding, thrives on your support.
We don't sell data or monetize. Your contribution sustains us. If you appreciate our work, please consider tipping or donating.
Funds cover basic costs and fuel new projects for artists. Your generosity earns recognition and surprise perks.
Thank you for backing The Wrong Biennale, a free and collaborative art event accessible to all.
Please donate to:
Paypal.me/abstracte
Thank you.
To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.
“Lo mejor del arte digital” - El País.
“A sign of hope for a new wave of artists.” - STIR.
“Mola mucho.” - Lluenta Modernor.
“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS 2o2o Jury.
Donate.
The Wrong Biennale, a non-profit without institutional affiliations or funding, thrives on your support.
We don't sell data or monetize. Your contribution sustains us. If you appreciate our work, please consider tipping or donating.
Funds cover basic costs and fuel new projects for artists. Your generosity earns recognition and surprise perks.
Thank you for backing The Wrong Biennale, a free and collaborative art event accessible to all.
Please donate to:
Paypal.me/abstracte
Thank you.
To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.
- Upcoming event - Black Holes @ Centrum Nowoczesności Młyn Wiedzy. December 11th. Toruń. Poland - Upcoming event - Blockchain Fairy Tales @ Lincoln Center. December 11th. New York City. USA - Upcoming event - Video Edition Pavilion @ Vortex Jazz Club. December 17th. London. UK
6WT. So Far, So Near. Net Art Died But Is Doing Well. Becoming Machine. Kres. Triple Pocket Napkin Fold. I Rave/Je Délire. Print Screen. Expo 2121. We’ve Been Dreaming About A Magical Jungle. Painting Computer. Glitch In The Sacred Geometry. Server Of Flesh. Kinētechós. The Temporal Dimension. UnUnsubscribe. Tools Of Trust. Reverse Tar Pit. Self As A Service. Null Byte Injection. Room Tour: Art In The Age Of Remote Work. Are You For Real. Post Animals. Throwing Digital Bricks: Queer Acts Of Protest. Sensory Disconnection. Cave Cloud. Hybrid Mirrors: Navigating Uncertainty And Randomness. No Camera Cinema. Exphygit Corpse. Desktop Studies. Rely Not On It: Life As We (Don’t) Know It. Continuous Interlude. Black Holes. M27. Lullaby Tapes. Rodolex Propaganda. For Data You Are, And To Data You Shall Return. The Outsiders. Solve The Equation. And We Gonna Crash It When Nobody Is Home. Digital Alchemy: Rewiring Paradigms. Aqua Loci. VerbivocoVirtual. Deep Fried Feels. Unarchive. The Digital Rhetoric In Practice. Nonplace Site. Covid 1984. Fields Of View. Homo Metaversus: The Transition. Following A Path. Studio Visits: In The Posthuman Atelier. Man-Made Animals: Self In The Other. Playable Reality Mode. A Number From The Ghost. Midwest Stories. Art Meets Ordinary. Wonder Cake. Metatopia. Redux Of Decor. HyperEspresso. Directory. Speculative Sinofuturisms. Wasted Generation: Freedom In Borderlines. Terraforma. Deficit Of Less. Photosynthesis. Utopian Inspirational Demon. Togetherness. Unleashed, Unhinged And Uncensored. Future Me. Sunsetting The Platform. Balkan Y2K. Trust The Process. Nuke. Requiem. Pivilion Dot Net. Balaganchik: Circus Shantay. Metamorphosis. IIC - International Internal Catastrophes. Super Modern Art Museum. Un Trapazo. AI/AI. Kamîm Tuhut. Adam Meets Eve. Soro-Soro. Video Edition Pavilion. Is It Time To Think About Adulting Yet. Expanded Optics. Symptomatic Asymptomatic. Benadryl Plus. It Is Too Boring To Exhibit My Friends. Language Machine: Text, Code And Poetry. Cosmos, or A Chronicle Of Life’s Incredible Order, Complexity, And Remarkable Struggle Against Entropy And Resistance Of Decay. Familia Vende Tudo. Digital Collectivity And Rituals. In Absentia. The Space is Volatile. Techspressionism: Digital and Beyond. Weblogmusic: Cartomancy. Blink Delay. Laugh. Down The Rabbit Hole. Sanarte El Alma. Maybe Fake’s What I Like. Blockchain Fairy Tales. La Finca De Hoy. Unrestricted. Colour Your Dreams. Mystopia. URP Painting. Sirena. Compound Of Stolen Prompts As A Curatorial Statement. Book. Television.
2o23/24.
TheWrong
Biennale.
November 1st. 2o23
to March 1st. 2o24.
Press Room.
Donations.
Contact.
2o13-2o23©The Wrong Studio
Everything blue is a link.
All rights reserved.
TheWrong
Biennale.
November 1st. 2o23
to March 1st. 2o24.
Press Room.
Donations.
Contact.
2o13-2o23©The Wrong Studio
Everything blue is a link.
All rights reserved.