Celebrating the 10th anniversary of The Wrong Biennale, we present an international, limited edition, image-only printed book, created exclusively with your contributions.

Open Call Guidelines.

Submit printable, timeless, recent, image-based work. Embrace joy, creativity, and positive visual culture; avoid hate, conflict, or violence.

Submit 5 to 10 images as a project. Submit as many projects as you like. All submissions are considered for present and future issues. Topic is free.

New deadline (extended).

To be considered for the upcoming printed edition, please submit your projects by Friday, March 22nd, 2o24.

Technical specs for image submission.

Submit images as jpeg, tiff, eps or pdf files, single page size 210mm x 155mm, double page 210mm x 310mm, preferably 300dpi and cmyk mode.

Please do not modify your images original aspect ratio, just make size them as close to filling a page, and do not include watermarks or credits in the images.

Image file naming format: ArtistName_ArtworkTitle_Year

Submit your images and files via WeTransfer to

Project Credits.

Please submit in a .pdf, .txt, .doc, or .rtf file together with the images:

1. Artist's name.
2. Project title.
3. Artist's website.
4. Full postal address. (for logistics only)
5. Email and phone number. (for logistics only)

Credits 1 and 3 printed in the magazine index.
Credits 1 and 2 printed in your images feature.

Grant of Rights.

Please include a signed pdf of the following "Grant of Rights" text, encompassing all your data. 

︎ Grant of Rights.pdf

This document grants Book the permission to print the artwork you submit, while safeguarding both the editor's and artist's rights.

Download the pdf, fill in the information, add your signature and generate your own pdf.

Join now.

Submissions are now open to artwork selection for the first issue. To enter the selection process, the Book team requires all requested materials and the signed Grant of Rights document. Failure to do so will result in your work not being reviewed.

Only selected artists will be contacted back. Every contributor selected will get one copy of the issue where contributor’s work is featured. Additional copies may be bought with a nice discount.

If not selected immediately, your works may be considered for upcoming editions. Please be patient. Understand that while you are free to submit, the Book team is free to choose. Non-selection doesn't invalidate your proposal or your status as an artist. It simply means your work doesn't fit the current context of Book. Submission implies acceptance of all guidelines. 

For everything else.

Please contact and kindly mention "Book" in your message, so we can identify the nature of your inquiry.

Be kind.

This is a collaborative journey; be kind, patient, and respectful. Let's enjoy this new experience together.


All submissions undergo review for quality and adherence to guidelines. Submission doesn't guarantee publication; it's not an editorial agreement. Conditions, guidelines, and deadlines may be added, changed, or updated for organizational improvement.


The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.

A pioneering online art event that was born to showcase digital and new media art to a global audience and has grown to become a massive international community and a global reference in the art scene.

A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.

Bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.

The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.


“Actively shaping the narrative of what artistic expression in the digital age can be.“ -

“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.

“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.

“A sign of hope for a new wave of artists.” - STIR.

“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.

For more links visit press.

Next events.

2o25/26. Nov. 1, 2o25 - Mar. 1, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 1, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 1, 2o3o.


2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.

Thank you.

To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.




2o13-2o24©The Wrong Studio
Everything blue is a link.
All rights reserved.