Open Call.

The Wrong Biennale is a decentralized global art event that unites artists, curators, institutions, and the public through an exhibition of exhibitions, presented online and offline.

The upcoming 7th edition, taking place from November 1, 2025, to March 31, 2026, is dedicated to exploring the artistic side of artificial intelligence. This edition will navigate AI-influenced art, video, text, and sound, inviting creators to engage with the transformative intersections between machine learning and contemporary artistic practices.

We welcome artists, curators, and institutions to organize exhibitions that explore the creative possibilities and challenges of AI, and showcase how machine learning and algorithmic interactions are shaping the present of digital art.

All exhibitions of selected artworks are displayed within pavilions (online) and embassies (offline) around the world.

Pavilion.

A pavilion is an online exhibition hosted by an artist, curator, collective, or institution, featuring the works of 10 or more artists.

An online exhibition (what we call pavilion) is a space to show and share art, ideas, and cultural experiments on the internet.

It lives online, not inside walls, and can take many shapes: a simple webpage, a social media profile, an interactive playground, or a full virtual world.

Embassy.

An embassy is an offline exhibition, a gathering, a gallery exhibition, or any other art event format, that showcases the works of at least 10 artists, for any duration available, anywhere in the world.

An offline exhibition (what we call an Embassy) is a physical space where the digital meets the real.

It can be a gallery, a museum, a café, a classroom, a Hong Kong alley, or any place that hosts and connects people with the artworks and ideas of the biennale.

An Embassy exists in the flesh: you can walk into it, touch its walls, meet others, and experience the works together in real time.

Join.

All works submitted for the 7th edition of The Wrong Biennale may incorporate artificial intelligence at any stage of their creation process, whether as inspiration, as text, as a complementary tool, or as an integral part of the work’s development.

We welcome a diverse range of formats, including image, video, interactive media, sound, text, and immersive experiences, whether AI plays a role in their creation or not.

Curator.

As a curator, you have the opportunity to create a pavilion or embassy, select your featured artists, and define your curatorial vision.

Choose a unique and poetic title for your exhibition that does not include the words "AI", "Wrong", "Biennale" or related terms.

You may organize an open call to receive artist proposals. If so, you are encouraged to share the link with us for promotional support.

Ensure all selected artworks are presented with respect and professionalism.

Confirm that your artists formally agree to exhibit their work under your curation.

Artist.

To participate as an artist, submit your work through one of the open calls organized by self appointed curators:

One Off.
Screensavers for a Dying World.
Artificial Lines of Flight.
Digital Double.
Moons, Castles, Trees.
Anything but this.
Compost^.
Fragility in the Eye of the Beholder.
Dance with.
Margins in Fluxus.
Negotiated Intelligence.
The AI Land.
AI ID.
Open Pavilion.
The Distance of Blue.
Infinite Self Pavilion.
Magma: The Fuzzy Flux.
Do You Like to Use Me?
Transient Info.
N41ve Avenue.
The Natural/Generated Bodies.
Digital Dreams.

(more coming soon)

Alternatively, you may self appoint yourself, and establish your own pavilion or embassy, take on the role of curator, organize an open call (optional) or/and invite your favourite artists to participate.

Note: The Wrong Biennale does not review individual artwork submissions. Only pavilion and embassy proposals are reviewed and considered.

Submit.

Download and include The Wrong Biennale logo in your pavilion / embassy, open call and all related media activity, with link to https://thewrong.org

All submissions are reviewed for quality and conformity.

Now ~ October 15th, 2o25 (extended)

Please submit now (even if you have submitted already).

Send in text form the following:

1. Pavilion / Embassy name (exhibition title).

2. Exhibition link.

3. Curator name(s) + affiliation (institution, gallery, collective, etc.)

4. List of artists (names separated by commas, you can add more later).

5. Location of embassy and link. If no embassy, location of curator.

6. Generate a poetic / teaser paragraph about the show (between 40-80 words) with any AI tool of your choosing, or not! Feel free to write it yourself.

7. Select and attach an image of an artwork (no exhibition text, only the work) that best serves as a call for visitors to your show.

8. Everything ready?

Send an email.

With subject: TW7 + “Title of your pavilion/embassy” including all requested above.

As soon as we get your email, we will process the infos and later send you a link for you to check and make changes if necessary.

November 1st, 2o25

Official opening of The Wrong Biennale, featuring all selected pavilions and embassies at thewrong.org and selected locations worldwide.

Guidelines.

Embrace timeless creativity, joy, and artistic innovation, highlighting wonder and pushing on the positive aspects of humanity, and AI.

Avoid themes and artworks centered on hate, conflict, war, controversy, current news, or violence. Clearly label any adult-only content.

Pavilions must remain online from November 1, 2025, to March 31, 2026. Embassies must launch within the 7th edition timeframe.

The Wrong is an art biennale, not a commercial art fair or NFT marketplace. Pavilions featuring pay-per-view, cryptocurrency wallet requests, or other intrusive practices will not be accepted.

Participation is voluntary, free, and open to all. There are no submission, registration or exhibiting fees.

Curators may seek funding through donations, grants, institutional support, and sponsorships. If funds are raised, we strongly encourage fair compensation for participating artists.

Guidelines are subject to updates, for organizational improvement. (Updated Sept. 23rd 2o25)

Follow @thewrong.biennale for updates.

Share and promote:
#thewrong.biennale
@thewrong.biennale

Inquiries?

For inquiries, contact us via email for a prompt, human response. This is a collaborative effort fueled by a passion for art. Please engage with generosity, kindness, patience and respect.

Le7’s!

Let’s create a groundbreaking, inclusive, and transformative art event. Join us in shaping the present of AI-influenced art culture. This is going to be fun.

Welcome to The Wrong.

Contact us.

Graziela Calfat. CEO. Alejandra Raschkes. CFO.David Quiles Guilló. AD. Jen Talbot. Operations.

Email. Enquiries.

TheWrongBiennale.

About.Editions. Contact.

TheWrongBiennale.

About.Editions.Contact.

Graziela Calfat. CEO.
Alejandra Raschkes. CFO.
David Quiles Guilló. AD.
Jen Talbot. Operations.

TheWrong
Biennale.

About.
Editions.
Contact.

TheWrong
Biennale.

About.
Editions.
Contact.