About.
The Wrong Biennale is an independent, non-profit, multicultural, decentralized, and collaborative art biennial founded by David Quiles Guilló.
This pioneering onlive* art event was created to showcase digital and new media art to a global audience, and it has now grown into a massive international community and a reference in the digital art scene.
The Wrong brings together established, emerging, and underrepresented artists to explore creativity and digital culture in a positive and constructive environment. It presents a diverse range of cultures, styles, and mediums to a global audience, promoting inclusivity and encouraging artistic growth and experimentation.
Held every two years, The Wrong Biennale connects curators, artists, and institutions onlive*, earning widespread recognition and accolades from the global press, art community, and public. Notably, it has received awards such as SOIS Cultura and an honorific mention from the European Commission's S+T+ARTS prize.
Since its inception in 2013, The Wrong Biennale has featured over ten thousand artists and curators, with their work showcased in more than seven hundred pavilions, embassies, and institutions worldwide.
Join.
Check the open call to join as curator or artist.
The next edition takes place from November 1st, 2025, to March 31st, 2026, and it aims to artistically explore the transformative potential of AI-generated art, video, and sound.
Follow @thewrong.biennale on instagram for updates on open calls, deadlines and infos.
Press.
“Actively shaping the narrative of what artistic expression in the digital age can be.“ - Fakewhale.xyz
“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.
“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.
“A sign of hope for a new wave of artists.” - STIR.
“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.
For more visit press.
Next.
2o25/26. Nov. 1, 2o25 - Mar. 31, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 31, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 31, 2o3o.
Past.
2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.
Team.
David Quiles Guilló. Creative.
Graziela Calfat. CEO.Alejandra Raschkes. CFO.
Jen Talbot. Operations.
Social.
Instagram.
Linkedin.
Email.
Onlive*
A concept that blends the online and offline worlds, often used to describe the seamless integration of digital and physical experiences in today's connected society.