Open Call.

The Wrong Biennale brings together artists through online pavilions and offline embassies, curated by self-appointed curators.

Join As Artist.

To participate as an artist, submit your work to available open calls, or organize your own pavilion or embassy as a curator.

Ongoing open calls:

Expo 2121.

Join As Curator.

Create your pavilion/embassy with your favorite artists: a pavilion (online) or an embassy (physical and online).

What is a pavilion.
A dedicated online platform hosted by an artist, curator, or collective for 10 or more artists (flexible).

What is an embassy.
A physical event related to a pavilion, featuring artwork by 10 or more artists (flexible).

Build your pavilion/embassy.
Create a concept and name for your project, host it online. Select the artists, and display the artworks in a respectful manner.  

Format all artworks to be internet friendly. Image, gif, video, interactive, augmented reality, immersive, sound or text, any mix of these, and beyond.

Make sure to be in accordance with The Wrong’s guidelines, and have all artists’ formally agree to show the work.  

Choose a title that represents your curatorship poetically. Avoid using "Wrong," "Biennale," "TV," or any related terms in your pavilion/ embassy's name.

TheWrong logo.
Download and include the new logo in your pavilion/ embassy and related media activity, with link to 

Hastags / mentions:

Submit Your Pavilion.

Submit your pavilion/ embassy with a title, curator's name, description, domain link, location of curator, confirmed artists, and video links (if any). Include a press kit with a curation statement and bios. Submit now and until March 31st, 2o24.

Artwork guidelines.
Embrace joy and positive creativity; avoid expressions of hate, conflict, or violence. Clearly mark adult-only content.

Time commitment.
Pavilions must be online until March 31st, 2o24. Embassies must happen before the same date.

Revenue and inclusion.

Fund your pavilion/ embassy, pay artists via donations, grants, and sponsors. We sport instant radical inclusion, no degree or industry standards needed.

The Wrong is an art biennale, not an art fair or nft marketplace. Pavilions with crypto requests, pay-per-view or intrusive practices won't be accepted. The Wrong appreciates pre-algorithm internet and one-click-away accesibility.

Non-acceptance doesn't invalidate proposals; it means they don't align with The Wrong's context.

All submissions are reviewed for quality and conformity. Conditions may be updated for organizational improvement.

Email questions for a prompt response. 

Be kind.
This is a collaborative journey, so be kind, patient, and respect everyone's work. Let's have a good time together.

Welcome to

David Quiles Guilló.
Founder & Curator


The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.

A pioneering online art event that was born to showcase digital and new media art to a global audience and has grown to become a massive international community and a global reference in the art scene.

A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.

Bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.

The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.


“Actively shaping the narrative of what artistic expression in the digital age can be.“ -

“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.

“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.

“A sign of hope for a new wave of artists.” - STIR.

“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.

For more links visit press.

Next events.

2o25/26. Nov. 1, 2o25 - Mar. 1, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 1, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 1, 2o3o.


2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.

Thank you.

To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.




2o13-2o24©The Wrong Studio
Everything blue is a link.
All rights reserved.