Adam Basanta, Adi Karelitz, Adriano Tenore, Agustina Palazzo, Aileen Carville, Aishwarya Kumar, Alberta Leung, Alessandra Villa, Alexander Mikhailov, Alfredo Arévalo, Alien AI, Andres Manniste, Andrey Chugunov, Anja Kreysing, Anna Shvets Rosero, Anoushka Goodwin, Anthony Cao, Arash Akbari, Arezou Ramezani, Armando Rotondi, Arnaud Laffond, Arthur Saint-Remy, Augusto Calçada, Ayla Schiappacasse, Bahar Cemre Gökçe, Beatriz Albuquerque, Bela Balog, Benjamin Portzen, Benji Friedman, Bi Xin, Brandon Alvendia, Brian Zegeer, Burhan Yilmaz, Camila Jordan, Cansu Peker, Cao Shu, Carolina Kleine Samson, Chalet Comellas, Chun Wang, Clarisse Verbeek, Claudius Lazzeroni, Clea Soebroto, Clint Sleeper, Corrado Podda, Dagmar Schuerrer, Dajuin Yao, Damjanski, Daniel Hawley-Lingham, Daniela Weiss, Daniele Murgia, Daria Kesler, David Quiles Guilló, Davide Gualco, Deesha Lapasia, Domiziana Caliari, Donata Napoli, Dr Lila Moore, Ebba Jahn, Edek Sher, Ekaterina Egorova, Eliška Jahelková, Emily d’Achiardi, Ernesto Bautista, Ertürk Tekneci, Espen Tversland, Esra Özkan, Evgeny Merman, Fabio FON, Farzaneh Nour, Fau Ferdinand, Filippo Brignolo, Gerald Meilicke, Hernando Urrutia, Ian Cibic, Ibon Escalada, Ignacio Guerra, Ioana Farcas, İrem Çoban, Isil Ezgi Celik, Ivan Grebenshikov, Jaime de los Ríos, James Hutchinson, Jascha Ehrenreich, Jasmine Johnson, Jennifer LeCaine, Jiamin Cao, Jiaqi Liu, Jieyuan Huang, Joanna Jurczak, Johanna Flato, John Bardakos, John Reis, José Ramón Alcala, Joyce Yahouda, Julia Baranyuk, Kadine James, Kasper Bergholt, Karolina Maliszewska, Kate Umnova, Ken Rinaldo, Kim Rosario, Kim Shaw, Ksenia Kudasova, Kseniia Saraieva, Laura Tabares, Laurent Bouchard, Lena Kilina, Loy, Luciana Tamas, Luigi Starace, Madam Memoticon, Mahmoud Ismail, Marcin Nowicki, Maria Cynkier, Maria Pia Napolitano de Majo, Maria Sky, Marina Bortoluz Polidoro, Mark Aragon Wallis, Marlene Wenger, Martina Menegon, Matteo Campulla, Medienkunstverein, Meta Golova, Michael Borras aka Systaime, Michele Vitobello, Mise en Abyme, Nada Koreish, Nadeem Mazen, Nadia B, NancyB, Nhi Phan, Núria Nia, Olesya Ilenok, PRL Lab, Pablo Bautista, Patrick Lichty, Pavel Polshchikov, Peggy Schoenegge, Philippe Riss-Schmidt, Ping Ho, Plamen Yordanov, Polina Kuprina, Rachel Lamot, Radoslav Rochallyi, Raphaël Moreira Gonçalves, Reiner Schneeberger aka Kunst Blau, Rhett Tsai, Ricardo Bodini, Rodolfo Mata, Sahar Moussavi, Sarah Khadra Hasni, Sarah-Jane Field, Sean Carroll, Selma Eduarda, Shusaku Kaji, Sophia Melone, Soraya Braz, Spike Dennis, Tamara Tanatarova, Tassia Mila Novaes, Tatiana Antsygina, Tatiana Isaeva, The Krank, Tumbleweed Cooperative, Tyler Kline, Vasily Betin, Visheh K, Vladimir Opredelenov, Xavier Ferrer, Xristina Sarli, Yael Gilks, Yan Jiacheng, Yao Yichun, Zane Cerpina, Zen Cohen, Zhengzhou Huang, Ziyang Wu.  

*Curators list is not definitive and is refreshed regularly. Open call and selection process is still ongoing. Last update on July 7th, 2o25.

Open Call.

The Wrong Biennale is an ever expansive, decentralized art event that unites artists, curators, institutions, and the public through a global exhibition of exhibitions. Organized and hosted both online and offline by independent curators, it showcases selected artworks within pavilions and embassies worldwide.

The upcoming 7th edition, taking place from November 1, 2025, to March 31, 2026, is dedicated to exploring the artistic potential of artificial intelligence. This edition will highlight AI-influenced art, video, text, and sound, inviting creators to engage with the transformative intersections between machine learning and contemporary artistic practices.

We welcome artists, curators, and institutions to organize exhibitions, whether as pavilions or embassies, that explore the creative possibilities and challenges of AI, and showcase how machine learning and algorithmic interactions are shaping the future of digital art.

Join us in celebrating digital art and AI as catalysts for innovation, inclusion, and new avenues of artistic expression.

Pavilion.

What is a Pavilion?
A pavilion is an online exhibition hosted by an artist, curator, collective, or institution, featuring the works of 10 or more artists.

Embassy.

What is an Embassy?
An embassy is an offline exhibition, gathering, or event that is linked to a pavilion and showcases the works of at least 10 artists in a physical space anywhere in the world.

Join Now.

All works submitted for the 7th edition of The Wrong Biennale may incorporate artificial intelligence at any stage of their creation process, whether as inspiration, as text, as a complementary tool, or as an integral part of the work’s development.

We welcome a diverse range of formats, including image, video, interactive media, sound, text, and immersive experiences, whether AI plays a role in their creation or not.

Is this edition about AI? Yes.
Can you choose to fully avoid AI as an artistic statement? Yes, too.

Curator.

As a curator, you have the opportunity to create a pavilion or embassy, select your featured artists, and define your curatorial vision.

Choose a unique and poetic title for your exhibition that does not include the words "AI", "Wrong", "Biennale" or related terms.

You may organize an open call to receive artist proposals. If so, you are encouraged to share the link with us for promotional support.

Ensure all selected artworks are presented with respect and professionalism.

Confirm that your artists formally agree to exhibit their work under your curation.

Artist.

To participate as an artist, submit your work through one of the open calls organized by self-appointed curators:

The Chat Room & The Doll House.
Holographic Selves.
Formidiables.
Screensavers for a Dying World.
Artificial Lines of Flight.
Digital Double.
Moons, Castles, Trees | AI Chronotopes.
Memory Pavilion.
Black Box // White Cube.
Time. Space. Transmat.
Anything but this.
Compost^.
VerbivocoVirtual 2.
Fragility in the Eye of the Beholder.
Tender Machines.
Dance with.
Margins in Fluxus.
Phantom Gaze.
Negotiated Intelligence.
The AI Land.
Space Byi.
AI ID.
Open Pavilion.
The Distance of Blue.
Infinite Self Pavilion.
Magma: The Fuzzy Flux.
Do You Like to Use Me?
Thinking in Circuits.
Mostrare i Mostri.
Auto Obscura.
The Doughnut Whole.
N41ve Avenue.

(more coming soon)

Alternatively, you may establish your own pavilion or embassy, take on the role of artist/curator, organize an open call (optional) or/and invite your favourite artists to participate.

Note: The Wrong Biennale does not review individual artwork submissions. Only pavilion and embassy proposals are considered.

Submit.

Submit your pavilion / embassy with your title, curator's name, description, domain link, aproximate location of curator and confirmed artists. Include a curation statement and short bios of all participants. All submissions are reviewed for quality and conformity.

Download and include The Wrong Biennale logo in your pavilion / embassy, open call and related media activity, with link to https://thewrong.org

Guidelines.

Embrace timeless creativity, joy, and artistic innovation, highlighting wonder and pushing on the positive aspects of humanity.

Avoid themes centered on hate, conflict, controversy, current news, or violence. Clearly label any adult-only content.

Pavilions must remain online from November 1, 2025, to March 31, 2026. Embassies must take place within this timeframe.

The Wrong is an art biennale, not a commercial art fair or NFT marketplace. Pavilions featuring pay-per-view, cryptocurrency wallet requests, or other intrusive practices will not be accepted.

The Wrong values pre-algorithm internet aesthetics and ensures exhibitions are accessible and one click away.

Participation is voluntary, free, and open to all. There are no submission, registration or exhibiting fees.

Curators may seek funding through donations, grants, institutional support, and sponsorships. If funds are raised, we strongly encourage fair compensation for participating artists.

Guidelines are subject to updates for organizational improvement.

Follow @thewrong.biennale for updates. Share and promote:

#thewrong.biennale
@thewrong.biennale  

Deadlines.

Now ~ September 15th, 2o25
Submit your pavilion / embassy details, including the confirmed title, curator’s name, domain link, location, and full list of participating artists.

November 1st, 2o25
Official opening of The Wrong Biennale, featuring all selected pavilions and embassies.

Inquiries?

For inquiries, contact us via email for a prompt, human response. This is a collaborative effort fueled by a passion for art, and free coffee. Please engage with kindness and respect.

Le7’s!

Let’s create a groundbreaking, inclusive, and transformative art event. Join us in shaping the future of AI-influenced art culture.

Welcome to The Wrong.