Adam Basanta, Adelina Fishova, Adérito Fernandes-Marcos, Adi Karelitz, Adriano Tenore, Agustina Palazzo, Aileen Carville, Aishwarya Kumar, Alberta Leung, Alessandra Villa, Alexander Mikhailov, Alfredo Arévalo, Alien AI, Andres Manniste, Andrey Chugunov, Anja Kreysing, Anna Shvets Rosero, Anoushka Carroll, Anoushka Goodwin, Anthony Cao, Arash Akbari, Arezou Ramezani, Armando Rotondi, Arnaud Laffond, Arthur Saint-Remy, Augusto Calçada, Ayla Schiappacasse, Bahar Cemre Gökçe, Beatriz Albuquerque, Bela Balog, Benjamin Portzen, Benji Friedman, Bi Xin, Brandon Alvendia, Brian Zegeer, Burhan Yilmaz, Camila Jordan, Cansu Peker, Cao Shu, Carolina Kleine Samson, Chalet Comellas, Chun Wang, Clarisse Verbeek, Claudius Lazzeroni, Clea Soebroto, Clint Sleeper, Corrado Podda, Dagmar Schuerrer, Dajuin Yao, Damjanski, Daniel Hawley-Lingham, Daniela Weiss, Daniele Murgia, Daria Kesler, David Quiles Guilló, Davide Gualco, Deesha Lapasia, Domiziana Caliari, Donata Napoli, Dr Lila Moore, Ebba Jahn, Edek Sher, Ekaterina Egorova, Eliška Jahelková, Emily d’Achiardi, Ernesto Bautista, Ertürk Tekneci, Espen Tversland, Esra Özkan, Evgeny Merman, Fabio FON, Farzaneh Nour, Fau Ferdinand, Filippo Brignolo, Gerald Meilicke, Hernando Urrutia, Ian Cibic, Ibon Escalada, Ignacio Guerra, Ioana Farcas, İrem Çoban, Isil Ezgi Celik, Ivan Grebenshikov, Jaime de los Ríos, James Hutchinson, Jascha Ehrenreich, Jasmine Johnson, Jennifer LeCaine, Jiamin Cao, Jiaqi Liu, Jieyuan Huang, Joanna Jurczak, Johanna Flato, John Bardakos, John Reis, José Ramón Alcala, Joyce Yahouda, Julia Baranyuk, Kadine James, Kasper Bergholt, Karolina Maliszewska, Kate Umnova, Ken Rinaldo, Kim Rosario, Kim Shaw, Ksenia Kudasova, Kseniia Saraieva, Laura Tabares, Laurent Bouchard, Lena Kilina, Lino Mocerino, Loy, Luciana Tamas, Luigi Starace, Madam Memoticon, Mahmoud Ismail, Marcin Nowicki, Maria Cynkier, Maria Korolkova, Maria Pia Napolitano de Majo, Maria Sky, Mariángeles Soto-Díaz, Marina Bortoluz Polidoro, Mark Aragon Wallis, Marlene Wenger, Martina Menegon, Mathias Jansson, Matteo Campulla, Medienkunstverein, Meta Golova, Michael Borras aka Systaime, Michele Vitobello, Mise en Abyme, Nada Koreish, Nadeem Mazen, Nadia B, NancyB, Nhi Phan, Nicola Bertoglio, Núria Nia, Olesya Ilenok, PRL Lab, Pablo Bautista, Patrick Lichty, Pavel Polshchikov, Peggy Schoenegge, Philippe Riss-Schmidt, Pietro Cusi, Ping Ho, Plamen Yordanov, Polina Kuprina, Rachel Lamot, Radoslav Rochallyi, Raphaël Moreira Gonçalves, Reiner Schneeberger aka Kunst Blau, Rhett Tsai, Ricardo Bodini, Rodolfo Mata, Sahar Moussavi, Sarah Khadra Hasni, Sarah-Jane Field, Sean Carroll, Selma Eduarda, Shusaku Kaji, Solene Marrell, Sophia Melone, Soraya Braz, Spike Dennis, Tamara Tanatarova, Tassia Mila Novaes, Tatiana Antsygina, Tatiana Isaeva, The Krank, Tumbleweed Cooperative, Tyler Kline, Vasily Betin, Visheh K, Vladimir Opredelenov, Xavier Ferrer, Xristina Sarli, Yael Gilks, Yan Jiacheng, Yao Yichun, Zane Cerpina, Zen Cohen, Zhengzhou Huang, Ziyang Wu. 

Open Call.

The Wrong Biennale is an ever expansive, decentralized art event that unites artists, curators, institutions, and the public through a global exhibition of exhibitions,both online and offline.

The upcoming 7th edition, taking place from November 1, 2025, to March 31, 2026, is dedicated to exploring the artistic present of artificial intelligence. This edition will highlight AI-influenced art, video, text, and sound, inviting creators to engage with the transformative intersections between machine learning and contemporary artistic practices.

We welcome artists, curators, and institutions to organize exhibitions that explore the creative possibilities and challenges of AI, and showcase how machine learning and algorithmic interactions are shaping the present of digital art.

All exhibitions of selected artworks are displayed within pavilions and embassies around the world.

Pavilion.

A pavilion is an online exhibition hosted by an artist, curator, collective, or institution, featuring the works of 10 or more artists.

An online exhibition (what we call pavilion)is a space to show and share art, ideas, and cultural experiments on the internet.

It lives online, not inside walls, and can take many shapes: a simple webpage, a social media profile, an interactive playground, or a full virtual world.

Embassy.

An embassy is an offline exhibition, a gathering, a gallery exhibition, or any other art event format, that showcases the works of at least 10 artists, for any duration available, anywhere in the world.

An offline exhibition (what we call an Embassy) is a physical space where the digital meets the real.

It can be a gallery, a museum, a café, a classroom, a Hong Kong alley, or any place that hosts and connects people with the artworks and ideas of the biennale.

An Embassy exists in the flesh: you can walk into it, touch its walls, meet others, and experience the works together in real time.

Join Now.

All works submitted for the 7th edition of The Wrong Biennale may incorporate artificial intelligence at any stage of their creation process, whether as inspiration, as text, as a complementary tool, or as an integral part of the work’s development.

We welcome a diverse range of formats, including image, video, interactive media, sound, text, and immersive experiences, whether AI plays a role in their creation or not.

Is this edition about AI? Yes.
Can you choose to fully avoid AI as an artistic statement? Yes, too.

Curator.

As a curator, you have the opportunity to create a pavilion or embassy, select your featured artists, and define your curatorial vision.

Choose a unique and poetic title for your exhibition that does not include the words "AI", "Wrong", "Biennale" or related terms.

You may organize an open call to receive artist proposals. If so, you are encouraged to share the link with us for promotional support.

Ensure all selected artworks are presented with respect and professionalism.

Confirm that your artists formally agree to exhibit their work under your curation.

Artist.

To participate as an artist, submit your work through one of the open calls organized by self appointed curators:

The Chat Room & The Doll House.
Holographic Selves.
Formidiables.
Screensavers for a Dying World.
Artificial Lines of Flight.
Digital Double.
Moons, Castles, Trees.
Memory Pavilion.
Debox.
Time. Space. Transmat.
Anything but this.
Compost^.
Fragility in the Eye of the Beholder.
Tender Machines.
Dance with.
Margins in Fluxus.
Phantom Gaze.
Negotiated Intelligence.
The AI Land.
Space Byi.
AI ID.
Open Pavilion.
The Distance of Blue.
Infinite Self Pavilion.
Magma: The Fuzzy Flux.
Do You Like to Use Me?
Thinking in Circuits.
Mostrare i Mostri.
The Expanded Field.
Auto Obscura.
The Doughnut Whole.
Transient Info.
N41ve Avenue.
The Natural/Generated Bodies.

(more coming soon)

Alternatively, you may self appoint yourself, and establish your own pavilion or embassy, take on the role of curator, organize an open call (optional) or/and invite your favourite artists to participate.

Note: The Wrong Biennale does not review individual artwork submissions. Only pavilion and embassy proposals are considered.

Submit.

Submit your pavilion / embassy with your title, curator's name, description, domain link, aproximate location of curator and confirmed artists. Include a curation statement and short bios of all participants. All submissions are reviewed for quality and conformity.

Download and include The Wrong Biennale logo in your pavilion / embassy, open call and related media activity, with link to https://thewrong.org

Guidelines.

Embrace timeless creativity, joy, and artistic innovation, highlighting wonder and pushing on the positive aspects of humanity.

Avoid themes centered on hate, conflict, controversy, current news, or violence. Clearly label any adult-only content.

Pavilions must remain online from November 1, 2025, to March 31, 2026. Embassies must launch within the 7th edition timeframe.

The Wrong is an art biennale, not a commercial art fair or NFT marketplace. Pavilions featuring pay-per-view, cryptocurrency wallet requests, or other intrusive practices will not be accepted.

The Wrong values pre-algorithm internet aesthetics and ensures exhibitions are accessible and one click away.

Participation is voluntary, free, and open to all. There are no submission, registration or exhibiting fees.

Curators may seek funding through donations, grants, institutional support, and sponsorships. If funds are raised, we strongly encourage fair compensation for participating artists.

Guidelines are subject to updates for organizational improvement.

Follow @thewrong.biennale for updates. Share and promote:

#thewrong.biennale
@thewrong.biennale  

Deadlines.

Now ~ September 15th, 2o25
Submit your pavilion / embassy details, including the confirmed title, curator’s name, domain link, location, and full list of participating artists.

November 1st, 2o25
Official opening of The Wrong Biennale, featuring all selected pavilions and embassies.

Inquiries?

For inquiries, contact us via email for a prompt, human response. This is a collaborative effort fueled by a passion for art, and free coffee. Please engage with generosity, kindness, patience and respect.

Le7’s!

Let’s create a groundbreaking, inclusive, and transformative art event. Join us in shaping the present of AI-influenced art culture. This is going to be fun.

Welcome to The Wrong.