Without making use of the more abstracted, separatist and bored apology of feminism, as a mere and sterile propaganda tool reborn from late post-capitalism, and focusing on the real opening, without conditions and with a broad awareness of the current gender and the paradigm of identity, arisen from the opportunity in the new means of communication and expression.

Curated by Jorge Sellés. Featuring Albena Baeva, Aman Kaleem, Alessandra Arnò, Ammaura, Analógica, Anastasija Pavić, Angelina Voskopoulou, Anna Morskaya, Anna Schnabel, Arezou Ramezani, Bekka Björke, Berna Kılıçoğlu,  Blanche The Vidiot, Carla Gan, Catch_U, Catherine Spet, Dagmar Schürrer, Deirdre Barret, Dolphin Brown, Elija Temisevä, Elena Romenkova, Elisa Torreira, Elsa Muller, Ellen Sheidilin, Erica Lapadat-Janzen, Evelin Stermitz, Floow AI, Francesca Fini, Ghazal Majidi, Gioula Papadopoulou, Glasz DeCuir, Inbar Hagai, Irem Coban, Isabel Pérez del Pulgar, Isis Castelló, Janet Lees, Jutta Pryor, Kathrin Hunze, Laura Cuenca, Las Canadienses, Laura Vilaplana, Lisi Prada, Liudmila Siewerski, Lizzie Stardust, Luzi Gross, Magaly Vega, Magda Maroa, Marigela Pueyrredon, Mariya Vasilyeva, Melissa Faivre, Mothers Beasts, Nicola Higgins, Nicole Kouts, Noemi Schipfer, Noor UI Sahar, Petja Ivanova, Sarah Lasley, Sandrine Deumier, Selmak, Suiteru, Tania Cruz, Teresa Davtyan, The Amazing Glitch B*tch, The Glitch B*tches Team, Umran Ozbalci Aria, Valeria Mata,  Victoria Duryagina,  Virginia Tan, Wieslawa Nowicka and Xus Francés, Alessandro Amaducci, Armin Copp, Aujik, Cachopou, Can Buyukberber, Chehue S. Miró, Colectivo Neiro, David Delgado, David Quiles Guilló, Digital Monk, Dirk Koy, Doopiidoo, Fito Conesa, Hernando Urrutia, Iant Grant, Iury Lech, Jorge Sellés, Jose Cruzio, Kent Tate, Luis Carlos Rodríguez, Marc Veyrat, Mark Klink, Matteo Campulla, Mit Borrás, Mohammed Ali Famori, Pedro González, Pierre Ajavon, Santi Delgado-Escribano, Siddharth Gautam, Solimán López, Systaime and Yoshi Sodeoka.

Enter pavilion.