Adam Meets Eve.
Without making use of the more abstracted, separatist and bored apology of feminism, as a mere and sterile propaganda tool reborn from late post-capitalism, and focusing on the real opening, without conditions and with a broad awareness of the current gender and the paradigm of identity, arisen from the opportunity in the new means of communication and expression.
Curated by Jorge Sellés. Featuring Albena Baeva, Aman Kaleem, Alessandra Arnò, Ammaura, Analógica, Anastasija Pavić, Angelina Voskopoulou, Anna Morskaya, Anna Schnabel, Arezou Ramezani, Bekka Björke, Berna Kılıçoğlu, Blanche The Vidiot, Carla Gan, Catch_U, Catherine Spet, Dagmar Schürrer, Deirdre Barret, Dolphin Brown, Elija Temisevä, Elena Romenkova, Elisa Torreira, Elsa Muller, Ellen Sheidilin, Erica Lapadat-Janzen, Evelin Stermitz, Floow AI, Francesca Fini, Ghazal Majidi, Gioula Papadopoulou, Glasz DeCuir, Inbar Hagai, Irem Coban, Isabel Pérez del Pulgar, Isis Castelló, Janet Lees, Jutta Pryor, Kathrin Hunze, Laura Cuenca, Las Canadienses, Laura Vilaplana, Lisi Prada, Liudmila Siewerski, Lizzie Stardust, Luzi Gross, Magaly Vega, Magda Maroa, Marigela Pueyrredon, Mariya Vasilyeva, Melissa Faivre, Mothers Beasts, Nicola Higgins, Nicole Kouts, Noemi Schipfer, Noor UI Sahar, Petja Ivanova, Sarah Lasley, Sandrine Deumier, Selmak, Suiteru, Tania Cruz, Teresa Davtyan, The Amazing Glitch B*tch, The Glitch B*tches Team, Umran Ozbalci Aria, Valeria Mata, Victoria Duryagina, Virginia Tan, Wieslawa Nowicka and Xus Francés, Alessandro Amaducci, Armin Copp, Aujik, Cachopou, Can Buyukberber, Chehue S. Miró, Colectivo Neiro, David Delgado, David Quiles Guilló, Digital Monk, Dirk Koy, Doopiidoo, Fito Conesa, Hernando Urrutia, Iant Grant, Iury Lech, Jorge Sellés, Jose Cruzio, Kent Tate, Luis Carlos Rodríguez, Marc Veyrat, Mark Klink, Matteo Campulla, Mit Borrás, Mohammed Ali Famori, Pedro González, Pierre Ajavon, Santi Delgado-Escribano, Siddharth Gautam, Solimán López, Systaime and Yoshi Sodeoka.
Enter pavilion.
Curated by Jorge Sellés. Featuring Albena Baeva, Aman Kaleem, Alessandra Arnò, Ammaura, Analógica, Anastasija Pavić, Angelina Voskopoulou, Anna Morskaya, Anna Schnabel, Arezou Ramezani, Bekka Björke, Berna Kılıçoğlu, Blanche The Vidiot, Carla Gan, Catch_U, Catherine Spet, Dagmar Schürrer, Deirdre Barret, Dolphin Brown, Elija Temisevä, Elena Romenkova, Elisa Torreira, Elsa Muller, Ellen Sheidilin, Erica Lapadat-Janzen, Evelin Stermitz, Floow AI, Francesca Fini, Ghazal Majidi, Gioula Papadopoulou, Glasz DeCuir, Inbar Hagai, Irem Coban, Isabel Pérez del Pulgar, Isis Castelló, Janet Lees, Jutta Pryor, Kathrin Hunze, Laura Cuenca, Las Canadienses, Laura Vilaplana, Lisi Prada, Liudmila Siewerski, Lizzie Stardust, Luzi Gross, Magaly Vega, Magda Maroa, Marigela Pueyrredon, Mariya Vasilyeva, Melissa Faivre, Mothers Beasts, Nicola Higgins, Nicole Kouts, Noemi Schipfer, Noor UI Sahar, Petja Ivanova, Sarah Lasley, Sandrine Deumier, Selmak, Suiteru, Tania Cruz, Teresa Davtyan, The Amazing Glitch B*tch, The Glitch B*tches Team, Umran Ozbalci Aria, Valeria Mata, Victoria Duryagina, Virginia Tan, Wieslawa Nowicka and Xus Francés, Alessandro Amaducci, Armin Copp, Aujik, Cachopou, Can Buyukberber, Chehue S. Miró, Colectivo Neiro, David Delgado, David Quiles Guilló, Digital Monk, Dirk Koy, Doopiidoo, Fito Conesa, Hernando Urrutia, Iant Grant, Iury Lech, Jorge Sellés, Jose Cruzio, Kent Tate, Luis Carlos Rodríguez, Marc Veyrat, Mark Klink, Matteo Campulla, Mit Borrás, Mohammed Ali Famori, Pedro González, Pierre Ajavon, Santi Delgado-Escribano, Siddharth Gautam, Solimán López, Systaime and Yoshi Sodeoka.
Enter pavilion.
About.
The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.
A pioneering online art event that was born to showcase digital and new media art to a global audience and has grown to become a massive international community and a global reference in the art scene.
Bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.
The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.
A pioneering online art event that was born to showcase digital and new media art to a global audience and has grown to become a massive international community and a global reference in the art scene.
A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.
Bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.
The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.
Press.
“Actively shaping the narrative of what artistic expression in the digital age can be.“ - Fakewhale.xyz
“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.
“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.
“A sign of hope for a new wave of artists.” - STIR.
“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.
For more links visit press.
Next events.
2o25/26. Nov. 1, 2o25 - Mar. 1, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 1, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 1, 2o3o.
Credits.
2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.
Thank you.
To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.
TheWrong
Biennale.
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Contact.
2o13-2o24©The Wrong Studio
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