Compositions based on graphic scores that leave ample room for short impromptu improvisations (the 'microsequences' series). The concept for the entire work came about by chance this summer while I was on holiday in Barcelona visiting the beautiful MACBA museum of contemporary art. In a sunny city crowded with tourists, the museum appeared sparsely populated and only animated on the outside by a few kids using the entrance ramps as skateboard tracks. Inside, the impression of few visitors became a certainty: there were about ten of us at most. Here, within the vast halls, there was a series of installations featuring recorded voices that, cyclically, filled the silences of those spaces accustomed to beauty. As I walked slowly through the various exhibition rooms, I almost had the feeling that a dialogue was taking place between those voices, a continuous counterpoint that, in the solitude of those rooms, suddenly seemed to address me directly. All this led me to a reflection I had already made in the past but which became concrete there: Art always communicates. It is perhaps we who are no longer able to listen to it or discover it.

Amplified Speaking Spaces.
Rosario Di Rosa, Stefano Maltese, Carlo Cattano.

Enter pavilion.