Colour Your Dreams.

Do androids dream of electric sheeps? Do they dream in colour? What about the black box of artificial intelligence? For dreaming in the dark? Nothing we imagine is absolutely impossible. Where are our dreams headed now that AI is actively imagining things for us. Is it colouring the dreams for us? What can be done with a one second video concerning dreams and colours?

Curated by Bjørn Magnhildøen. Featuring Ariana, Elçin Arpaçay, Thomas Asmurh, Bruce A Barber, Lawrence Bird, Ricardo Bodini, Laurene Bois-Mariage, Elizabeth Brown, Felipe Caceres-Cambero, Osvaldo Cibils, Hilda Daniel, Juliette De Armas, Andy Deck, Suzon Fuks, Benna Gaean Maris, Bob Georgeson, Karl Heinz Jeron, Chris Joseph, Timo Kahlen, Tristan Krobs, Sandrine Kwan, Kyle, Lin Li, Karen Linares, Edwin Lohmeyer, Sofia Martin Tirado, Mak Mcneil, Molly Mejia, Zsolt Mesterhazy, Nick Montfort, Federico Niccolai, Anne Niemetz, Silvia Nonnenmacher, Julian Ortiz, Jef Nollet, Luca I. Parise, Chelsea Pena, Maria Colina Pérez, Alan Perry, Adrian Pickett, Dayana Piris, Tija Place, Amelia Restrepo, Stefanie Reling-Burns, Andrea Roccioletti & Rossella Ferrero, Alexandria Rodriguez, Stephany Rodriguez, Shalala Salamzadeh, Aldo Santos, Nina Sobell, Alan Sondheim, Elle Thorkveld, Jürgen Trautwein, Angy Vardalou, Amílcar Vargas, Nico Vassilakis, Durdija Vucinic, Paul Wiegerinck, Marcus West, Mike White, Tristan Cuenca, Frans Hofmeester, Dario Ricciardi, Felix Klee, Allie van Altena, Astrid Espenhain, Virginia L. Montgomery, Alvilda Faber Striim.

Enter pavilion.


About.


The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.

A pioneering online art event that was born to showcase digital and new media art to a global audience and has grown to become a massive international community and a global reference in the art scene.

A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.

Bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.

The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.

Press.


“Actively shaping the narrative of what artistic expression in the digital age can be.“ - Fakewhale.xyz

“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.

“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.

“A sign of hope for a new wave of artists.” - STIR.

“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.

For more links visit press.


Next events.


2o25/26. Nov. 1, 2o25 - Mar. 1, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 1, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 1, 2o3o.


Credits.


2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.


Thank you.


To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.

TheWrong
Biennale.

Instagram.

Linkedin.
Contact.


2o13-2o24©The Wrong Studio
Everything blue is a link.
All rights reserved.