Compound Of Stolen Prompts As A Curatorial Statement.


An extensive bundle of continuous prompts providing a feeling of what TheWrong Biennale 2o23/24 is about. Selected texts extracted from curators statements, imitating the outcome of clunky artificial intelligence tool, made for machines to learn. 

Note: This is not an informative text, but an abstract set of poetic instructions to react to.

Featuring prompts by Alex Fallica, Alex Killgore, Alexander K, Alexandra Adelina Huta, Alexandra Orlova, Alfredo Arévalo Rodríguez, Amy Kan, Andreas Zingerle, Andres Jacome, Andres Manniste, Anna Sodaz, Anna Utopia Giordano, Anya Shilonos, Arash Akbari, Arti Struyanskiy, Aurelian Busuioc, BBMC, Bardakos Ioannis, Beatriz Albuquerque, Camila Jordan, Cansu Peker, Caroline Turner-Anderson, Catalina Vallejos, Céline Wouters, Colin Goldberg, Connor Trotter, Copper Giloth, Daniel Alexandru Florea, David Barbu, David Moscovich, David Quiles Guilló, Diego Ortega, Don Hanson, Dong Zhou, Dorijan Šiško & Sara Bezovšek, Dorothea Petcu, Ebba Jahn, Elaine Tedesco, Elisabeth Blair, Emma Silvana Tripaldi, Erik A, Fabio Fon, Farkas Hánnelore, Farzaneh Nouri, Faustine de Bock, Fiona Larkin, Gabriela Correia, Gabriela Mateescu. Taietzel Ticalos, Gabriele Donini, Garrett Laroy Johnson, Gecse Bettina, Giacomo Scandolara, Giulia Bini, Guillermo Moreno Mirallas, Hernando Urrutia, Hodas Paula, Holly-Anne Buck aka Collagism, Hortência Sant'Ana, Ian Anderson, Ian Breidenbach, Isil Ezgi Celik, Jacek Sosnowski, Jacob Leveton, James Hutchinson, Jeff Morris, Jenna deBoisblanc, Jenny Vogel, Jo Blin, Jonathan Sachse Mikkelsen, Jonathan Weston, Jorge Sellés, Joyce Yahouda, João Vrc, Juan Echeverria, Junjan Oana Maria, Junkai Chen, Khristina Ots, Kyishwin Soe, Lana Martires, Laura Focarazzo, Laurent Bouchard, Lesia Kvitka, Lineadeluz, Lisa Cianci, Lola Belecciu, Luciana Tamas, Luciana de Paula Santos, Lívia Nolasco-Rózsás, Manuel Rossner, Maria Kuzmina, Marie Chaumont, Mariko Hori, Marina Polidoro, Mark Ramos, MarkleSparkles, Marsha Berry, Martina Pizzigoni, Maru López García, Matteo Campulla, Matthis Grunsky, Mattia Salamida, Mauricio Patrón Rivera, Mike White, Minimoto, Mohammad Ali Famori, Nabil Yanai, Nicole Kouts, Nomi Abeliovich, Olga Kai, Olyas Dreams, Ortensio Lando, Pablo Galbusera, Peter Adams, Phillip Thurtle, Phoo Myat Thwe, Pierre Chaumont, Pietro Parisi, Pop Szabrina, Radosław Osiński, Radu-Mihai Tănasă, Ramin Saeidian, Ricardo Bodini, Rita Caterpillar, Ro Ferrarezi, Roman Solodkov, Ronnie Karfiol, Roopa Vasudevan, SXSY Collective, Sammie Veeler, Seth & Jean D.Sikiaridis, Shusaku Kaji, Silvia Dal Dosso, Sofia Talanti, Someone Ada, Sophia Lamzina, Sophie Nowakowska, Soraya Braz, Stefan Schutt, Stefano Redaelli, Stella Olivier, Tam Nguyen, Tamara Tanatarova, Tasneem Lohani, Tassia Mila, Thomas Osorio and Loraine Wible, Tiina Burton, Tyler Kline, Vastag Diana Regina, Veronica Laminarca, Vesper Guo, Victoria Hilsberg, Vincent Duché, Virreina Space, Walker Tufts, Will Halcomb, Yaku Runa Simi, Yan Shao, Zarli Htet,  Rodolfo Mata, Ács Muhi Klara.

Compound Of Stolen Prompts As A Curatorial Statement is a weird text by David Quiles Guilló.

Enter pavilion.


About.


The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.

A pioneering online art event that was born to showcase digital and new media art to a global audience and has grown to become a massive international community and a global reference in the art scene.

A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.

Bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.

The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.

Press.


“Actively shaping the narrative of what artistic expression in the digital age can be.“ - Fakewhale.xyz

“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.

“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.

“A sign of hope for a new wave of artists.” - STIR.

“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.

For more links visit press.


Next events.


2o25/26. Nov. 1, 2o25 - Mar. 1, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 1, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 1, 2o3o.


Credits.


2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.


Thank you.


To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.

TheWrong
Biennale.

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2o13-2o24©The Wrong Studio
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