Techspressionism: Cyberiana.

Techspressionism is introduced as a new art-historical term to describe fine artists using digital technology to convey subjective, emotional content.

Cyberiana is a town square for artistic neighbors; a locus of attention for a community of creative artists who value trading and sharing ideas, knowledge, and discoveries.

Curated by Tommy Mintz, Renata Janiszewska, Michael Pierre Price, Stephen Paré.

Featuring Moritz Albrecht, Colin Goldberg, Renata Janiszewska,  Lee Schnaiberg, Cynthia Beth Rubin, Mark Klink, Deann Stein Hasinoff, Cynthia DiDonato, Judith Jacobs, Diana de Avila, Sahar Moussavi, Darcy Gerbarg, Michael Pierre Price, Karen LaFleur, Elio Ramos, Nina Sobell, Nkolo Ntyam, R Gopakumar, Tim Cierpiszewski, Visheh Khatamimoghaddam, Eegun xyz, Susan Detroy, Roz Dimon, Victor Acevedo, Stephen Paré, Margaret Dolinsky, Lee Day, Daniel Pelletier, Verneda Lights, Kate MacDonald, Malcolm Fernandes, Christina Galbiati, Negin Ehtesabian Lichty, Jan Swinburne, Tommy Mintz, Andrea Mikyska, Malavika Mandal Andrew.

Cyberiana opens Saturday, December 3oth, 1pm-4pm ET. Pick your avatar for a virtual 3d gallery art experience.

Enter pavilion.


About.


The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.

The Wrong has grown to become a massive international community and a global reference in the art scene, bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.

A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.

The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.

Next events.


2o25/26. Nov. 1, 2o25 - Mar. 1, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 1, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 1, 2o3o.


Credits.


2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18. 
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.


Thank you.


To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.


Press.


“Actively shaping the narrative of what artistic expression in the digital age can be.“ - Fakewhale.xyz

“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.

“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.

“A sign of hope for a new wave of artists.” - STIR.

“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.

For more links visit press.


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Biennale.

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