Digital Alchemy: Rewiring Paradigms.

Feeding an artificial intelligence with the work of the participating artists to obtain a recombination of its visual elements, exploring the possibility to expand creativity, instead of replacing it, to reflect on the new ways of image alchemy by digital means.

Curated by Alfredo Arévalo Rodríguez. Featuring Alexandr Sokolov, Alicia Valladares, Ariadna Milena Ocampo Jiménez, Sofía Madrigal Blanco, Juanna Pedro, Julián Campabadal, Roh Ju Ryun, Sungbaeg, Kaisar Salykov, Polina Abina, Anunaran Jargalsaikhan, Xj Marika, Canek Zapata, Juan German Benitez Castagnino, Pengpeng Wang, Viktor Nishikov, Aleksandr Popov, Ivan Kalinichev, Yanis Proshkinas, Dissenso Cognitivo, Kin - Cultura Plasmic Inc, Kamil Abdalla, Murakit.

F de Imagen Gallery.
Avenida 9. San José, Costa Rica
February 9th, 2o24

Enter pavilion.


About.


The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.

A pioneering online art event that was born to showcase digital and new media art to a global audience and has grown to become a massive international community and a global reference in the art scene.

A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.

Bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.

The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.

Press.


“Actively shaping the narrative of what artistic expression in the digital age can be.“ - Fakewhale.xyz

“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.

“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.

“A sign of hope for a new wave of artists.” - STIR.

“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.

For more links visit press.


Next events.


2o25/26. Nov. 1, 2o25 - Mar. 1, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 1, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 1, 2o3o.


Credits.


2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.


Thank you.


To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.

TheWrong
Biennale.

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Contact.


2o13-2o24©The Wrong Studio
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