Digital Concrete 2.o
An outstanding selection of reedited and relaunched digital art productions that include movement, audio or silent, where the concept prevails to the understanding of the human existential paradigm, through new creative technological means.
Curated by Jorge Sellés. Powered and supported by Santi Delgado & Systaime. Featuring Acrylicode, Alessandro Amaducci, Alexandre Louvenaz, Andrei Oid, Andrew Huang, Aujik, Barranc, Bif, Blr_Vfx, Cachopou, Cathal Mckeon, Corey Johnson, CS.M_Bcn, Dirk Koy, Diverxo Metaverxo, Doopiidoo, EchoLab, Gan Jian, Graeme Montgomery, Iury Lech, Japhy Riddley, Jesse Kanda, Jorge Sellés, Julien Bayle, Kalliope Amorphous, Ketev, Lasal, Lucas Zanotto, Marco Brambilla, Maria Albero, Mark Klink, Meshakai Wolf, Mirjam Baker, Monguer Zurullo, Monochord, Ouchhh, Ras Alhagve, Refik Anadol, Ryoji Ikeda, Samantha Severin, Santi Delgado, Stephane Sednaoui, Super FarLoopers Inc., Susi Sie, Systaime, Tadao Cern, The Amazing Glitch B*tch, The Deep Glitch's Alternative Youth Mafia, Thierry Hoss, Thomas Harrington Rawle, Tim Richardson, Una Raneta, United Visual Artists, Vadim Epstein, Virtual Pleasure Slaves, Yoshi Sodeoka, Zach Lieberman.
Enter pavilion.
Curated by Jorge Sellés. Powered and supported by Santi Delgado & Systaime. Featuring Acrylicode, Alessandro Amaducci, Alexandre Louvenaz, Andrei Oid, Andrew Huang, Aujik, Barranc, Bif, Blr_Vfx, Cachopou, Cathal Mckeon, Corey Johnson, CS.M_Bcn, Dirk Koy, Diverxo Metaverxo, Doopiidoo, EchoLab, Gan Jian, Graeme Montgomery, Iury Lech, Japhy Riddley, Jesse Kanda, Jorge Sellés, Julien Bayle, Kalliope Amorphous, Ketev, Lasal, Lucas Zanotto, Marco Brambilla, Maria Albero, Mark Klink, Meshakai Wolf, Mirjam Baker, Monguer Zurullo, Monochord, Ouchhh, Ras Alhagve, Refik Anadol, Ryoji Ikeda, Samantha Severin, Santi Delgado, Stephane Sednaoui, Super FarLoopers Inc., Susi Sie, Systaime, Tadao Cern, The Amazing Glitch B*tch, The Deep Glitch's Alternative Youth Mafia, Thierry Hoss, Thomas Harrington Rawle, Tim Richardson, Una Raneta, United Visual Artists, Vadim Epstein, Virtual Pleasure Slaves, Yoshi Sodeoka, Zach Lieberman.
Enter pavilion.
About.
The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.
A pioneering online art event that was born to showcase digital and new media art to a global audience and has grown to become a massive international community and a global reference in the art scene.
Bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.
The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.
A pioneering online art event that was born to showcase digital and new media art to a global audience and has grown to become a massive international community and a global reference in the art scene.
A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.
Bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.
The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.
Press.
“Actively shaping the narrative of what artistic expression in the digital age can be.“ - Fakewhale.xyz
“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.
“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.
“A sign of hope for a new wave of artists.” - STIR.
“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.
For more links visit press.
Next events.
2o25/26. Nov. 1, 2o25 - Mar. 1, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 1, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 1, 2o3o.
Credits.
2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.
Thank you.
To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.
TheWrong
Biennale.
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Contact.
2o13-2o24©The Wrong Studio
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