Exphygit Corpse.

Behold, the fusion of two disparate realms: the Cadavre Exquis (exquisite corpse game) and phygital art, where physical and digital intertwine seamlessly. Through the magical alchemy of technology, we shall intertwine the tactile strokes of brush and pen with the ethereal pixels of digital artistry in three collaborative games: Tales from the Torn Pages, Chronicles of Cutouts and The Scrapbook Enigma.

Curated by Ricardo Bodini, Camila Jordan and MarkleSparkles. Featuring Aaron Bass, Aizada K, Alico_rov, Andrey Bublikov, Anna Petrosyan, Andre Araujo, Beatriz de la Rúa, Benna Gaean Maris, Bppchourmo, Camila Jordan, Danilo Xhema, Daria Goncharova, Edmond Li B., Ellesha Doubleday, Erin Quinn, Estelle Flores, Franco D’Elia, Ghazal Majidi, Guillaume, Iyvone Khoo, Iza Koczanowska, Jacopo Calonaci, Jean-Baptiste Friquet, Jean-Marie Guyaux, Jonas Rören, Jordi Guijarro, Josh Smith, Koral Alvarenga, Leonard, Louis Montiel, Maggie Wong, Magaly Vega, Malcolm Fernandes, MarkleSparkles, Marteen Martinez, Marco Balbi Dipalma, Mehryl Ferri Levisse, Miguel Guzman, Michael Stone, Nadi Nicoco, Natt Marino, Noah Travis Phillips, Parsa Mostaghim, P3rcö, Peter Alexander Bullough, Polahedra, Psypop, Ricardo Bodini, Roland Jetschmanegg, Sahar Moussavi, Toma Ștefănescu, Uyb, Xinyuan Ma, Yao, Zabar Műhely, Zilan Zhao, 6V.

Enter pavilion.


The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.

The Wrong has grown to become a massive international community and a global reference in the art scene, bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.

A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.

The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.

Next events.

2o25/26. Nov. 1, 2o25 - Mar. 1, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 1, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 1, 2o3o.


2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18. 
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.

Thank you.

To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.


“Actively shaping the narrative of what artistic expression in the digital age can be.“ - Fakewhale.xyz

“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.

“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.

“A sign of hope for a new wave of artists.” - STIR.

“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.

For more links visit press.





2o13-2o24©The Wrong Studio
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