I Rave / Je Délire.

This exhibition has two themes. The first, encourages the artist to lose oneself, to be crazy in an inspired manner. The second is fusion, that this exhibition links artists accustomed to making objects for physical exhibitions with artists who create on and for internet.

Curated by Andres Manniste, Joyce Yahouda and Laurent Bouchard. Featuring Annie Abrahams and Suzon Fuks, Jocelyn Allen, Kaja Cxzy Andersen, Perry Bard, Bonnie Baxter, Simon Beaudry, Sara Bezovšek, Simon Bilodeau, Catherine Boisvenue Ménard, Laurent Bouchard, Michel Boulanger, Andy Heck Boyd, Annie Briard, Edgar Alan Rodriguez Castillo, Vincent Charlebois, Petra Cortright, Xavier Dallet, Joseph DeLappe, Negin Ehtesabian Lichty, Katherine Frazer and Mackenzie Davidson, Nika Fontaine, Carla Gannis, Emilie Gervais, Philippe Hamelin, Julie Hétu, Edward Hillel, Faith Holland, Renata Janiszewska, Rita Jimenez, Dina Kelberman, Moridja Kitenge, Mark Klink, Patrick Lichty, Jess MacCormack, Alessandro Mangiarotti, Mikelle Männiste, Jaime Martínez, Nicolas Mavrikakis, Lynn Millette, Petra Mueller, Shalom Neuman, Nico, Elisabeth Nicula, Orange, Fabrizio Perozzi, Alexandre Pillis, Christina Planas, Doron Polak, Chantal Rousseau, Sylvia Safdie, Molly Soda, Jan Swinburne, Michael Borras aka Systaime, Céline B La Terreur, Cynthia Lund Torroll, Florence-Ariel Tremblay, Julie Tremble, TTY art, Shaoul Yahuda, Zipertatou aka Jean-Philippe Thibault.

Enter pavilion.


The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.

The Wrong has grown to become a massive international community and a global reference in the art scene, bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.

A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.

The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.

Next events.

2o25/26. Nov. 1, 2o25 - Mar. 1, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 1, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 1, 2o3o.


2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18. 
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.

Thank you.

To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.


“Actively shaping the narrative of what artistic expression in the digital age can be.“ - Fakewhale.xyz

“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.

“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.

“A sign of hope for a new wave of artists.” - STIR.

“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.

For more links visit press.





2o13-2o24©The Wrong Studio
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