6WT. So Far, So Near. Net Art Died But Is Doing Well. Becoming Machine. Triple Pocket Napkin Fold. I Rave/Je Délire. Print Screen. Expo 2121. We’ve Been Dreaming About A Magical Jungle. Painting Computer. Glitch In The Sacred Geometry. Server Of Flesh. Kinētechós. The Temporal Dimension. UnUnsubscribe. Tools Of Trust. Reverse Tar Pit. Self As A Service. Null Byte Injection. Room Tour: Art In The Age Of Remote Work. Are You For Real. Throwing Digital Bricks: Queer Acts Of Protest. Sensory Disconnection. Cave Cloud. Hybrid Mirrors: Navigating Uncertainty And Randomness. No Camera Cinema. Kres. Exphygit Corpse. Desktop Studies. Rely Not On It: Life As We (Don’t) Know It. Continuous Interlude. Black Holes. M27. Lullaby Tapes. Rodolex Propaganda. For Data You Are, And To Data You Shall Return. The Outsiders. Solve The Equation. And We Gonna Crash It When Nobody Is Home. Digital Alchemy: Rewiring Paradigms. Aqua Loci. VerbivocoVirtual. Deep Fried Feels. Unarchive. The Digital Rhetoric In Practice. Nonplace Site. Fields Of View. Homo Metaversus: The Transition. Covid 1984. Following A Path. Studio Visits: In The Posthuman Atelier. Man-Made Animals: Self In The Other. Playable Reality Mode. A Number From The Ghost. Midwest Stories. Art Meets Ordinary. Wonder Cake. Metatopia. Redux Of Decor. HyperEspresso. Directory. Speculative Sinofuturisms. Wasted Generation: Freedom In Borderlines. Terraforma. Deficit Of Less. Photosynthesis. Utopian Inspirational Daemon. Togetherness. Unleashed, Unhinged And Uncensored. Future Me. Sunsetting The Platform. Balkan Y2K. Trust The Process. Nuke. Requiem. Colour Your Dreams In 60 seconds. Pivilion Dot Net. Balaganchik: Circus Shantay. Metamorphosis. IIC - International Internal Catastrophes. Super Modern Art Museum. Un Trapazo. AI/AI. Kamîm Tuhut. Digital Concrete 2.o. Adam Meets Eve. Soro-Soro. Video Edition Pavilion. Is It Time To Think About Adulting Yet. Expanded Optics. Symptomatic Asymptomatic. Benadryl Plus. It Is Too Boring To Exhibit My Friends. Language Machine: Text, Code And Poetry. Cosmos, or A Chronicle Of Life’s Incredible Order, Complexity, And Remarkable Struggle Against Entropy And Resistance Of Decay. Familia Vende Tudo. Digital Collectivity And Rituals. In Absentia. U Are My Problem. The Space is Volatile. Techspressionism: Digital and Beyond. Cyberiana. Weblogmusic: Cartomancy. Blink Delay. Laugh. Down The Rabbit Hole. Sanarte El Alma. Maybe Fake’s What I Like. Blockchain Fairy Tales. La Finca De Hoy. Unrestricted. Superinternet World. Colour Your Dreams. Mystopia. URP Painting. Dear Ida Dear Vuelta. Amplified Speaking Spaces. Post Animals. Weird Dreams, Weird Analysis. Diary, Prose And Pixel: Experience A Virtual Stage. Sirena. Mini Expanded Mind. Depth, Shell, Birth. Composers In The Metaverse. Totem. Hori7ons. Compound Of Stolen Prompts As A Curatorial Statement. Book. Television.


The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.

A pioneering online art event that was born to showcase digital and new media art to a global audience and has grown to become a massive international community and a global reference in the art scene.

A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.

Bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.

The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.


“Actively shaping the narrative of what artistic expression in the digital age can be.“ - Fakewhale.xyz

“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.

“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.

“A sign of hope for a new wave of artists.” - STIR.

“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.

For more links visit press.

Next events.

2o25/26. Nov. 1, 2o25 - Mar. 1, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 1, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 1, 2o3o.


2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.

Thank you.

To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.




2o13-2o24©The Wrong Studio
Everything blue is a link.
All rights reserved.