Net Art Died But Is Doing Well.

Is net art still alive? Is there creation outside the controlled domains of big tech companies? As long as there is the Internet, and even though its end is already announced, there will still be artists honoring the spirit of the pioneering creators of art for and through the World Wide Web. 

Curated by Fabio Fon and Soraya Braz. Featuring Adele Jarrar, Albena Baeva, Anastasia Koroleva, Andres Manniste, Andrey Koens, Annina Rüst, Antoni Hidalgo Hidalgo, Ben Grosser, Blanche the Vidiot, Chelsea Thompto, Coletivo Entre Nós, Colin Black, Zsuzsanna Szegedi-Varga, Jaka Železnikar, Cristiane Duarte, Rolf Simos, Rosangella Leote, Danilo dos Santos, DJ Malinowski, Eloísa Nieto, Esteparia, Everest Pipkin, Flavio Siqueira, Gabriel Pessoto, Nicole Kouts, Gretchen Andrew, Gustavo Romano, Henrique Fagundes, Henrique.exe, Jandir Jr., Jazon Frings, Jim Andrews, John-Robin Bold, Júlia Sodré, Jürgen Trautwein, Silvia Nonnenmacher, Karen Eliot, Koundinya Dhulipalla, Larissa Campello, Leonardo Souza, Lima Charlie Art Collective, Lindsey Arturo, Maria Sucar, Mercia de Assis Albuquerque, Michalis Zacharias, Niklas Wallenborg, Noah Travis Phillips, Onty, Pedro Ferreira, Polina Enuvesta, Rachelmauricio Castro, Sandrine Deumier, Suzete Venturelli, Tansy Xiao, Vera Sebert, Vinícius Ladivez, Yoona, 100porcent_genuine (100%), Fabio Fon, Soraya Braz.

This pavillion is best viewed on computers.

Enter pavilion.


The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.

A pioneering online art event that was born to showcase digital and new media art to a global audience and has grown to become a massive international community and a global reference in the art scene.

A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.

Bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.

The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.


“Actively shaping the narrative of what artistic expression in the digital age can be.“ -

“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.

“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.

“A sign of hope for a new wave of artists.” - STIR.

“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.

For more links visit press.

Next events.

2o25/26. Nov. 1, 2o25 - Mar. 1, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 1, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 1, 2o3o.


2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.

Thank you.

To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.




2o13-2o24©The Wrong Studio
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