Sensory
Disconnection.
In a world where multimedia often seeks to harmonize our senses, this exhibition takes a daring leap into the uncharted territories of sensory isolation. Schaeffer’s theory led generations of people to think auditory experiences out of the sound origins. This very act of separation became an art form, an aesthetics of disentanglement that forms the cornerstone of Sensory Disconnection.
Curated by Dong Zhou. Featuring Kristóf Bodnár, Ricardo Bodini, C., Abdoul-Ganiou Dermani, Farnoush Doroudgar, ElisElis, Ian Haig, Coalfather Industries, Yujue Liang, Tasha Lizak, Benna Gaean Maris, Aleksei Martyniuk, A Bill Miller, Maria Colina Perez, Szabina Péter, Zander Porter, Catherine Spet, Kinga Tóth, F. C. Zuke.
Enter pavilion.
Curated by Dong Zhou. Featuring Kristóf Bodnár, Ricardo Bodini, C., Abdoul-Ganiou Dermani, Farnoush Doroudgar, ElisElis, Ian Haig, Coalfather Industries, Yujue Liang, Tasha Lizak, Benna Gaean Maris, Aleksei Martyniuk, A Bill Miller, Maria Colina Perez, Szabina Péter, Zander Porter, Catherine Spet, Kinga Tóth, F. C. Zuke.
Enter pavilion.
About.
The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.
A pioneering online art event that was born to showcase digital and new media art to a global audience and has grown to become a massive international community and a global reference in the art scene.
Bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.
The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.
A pioneering online art event that was born to showcase digital and new media art to a global audience and has grown to become a massive international community and a global reference in the art scene.
A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.
Bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.
The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.
Press.
“Actively shaping the narrative of what artistic expression in the digital age can be.“ - Fakewhale.xyz
“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.
“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.
“A sign of hope for a new wave of artists.” - STIR.
“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.
For more links visit press.
Next events.
2o25/26. Nov. 1, 2o25 - Mar. 1, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 1, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 1, 2o3o.
Credits.
2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.
Thank you.
To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.
TheWrong
Biennale.
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Contact.
2o13-2o24©The Wrong Studio
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