Server of Flesh.

Technology has made us procedural beings. Identity as we knew it, handed down by our family and our geographical communities as gathering spaces, is now only an infinitesimal part of who we really are. Through the digital medium, we discover, explore, and learn about new realities happening thousands of kilometres away that, nonetheless, are making us feel at home. These spaces allow us to be who we really are, who we really believe to be, and give us a reason to continue our journey in a world that often feels on the brink of collapse.

How can we integrate technology so as to go beyond disciplines, beliefs and species? How can we use ourselves as a modular blueprint to become these spaces that make people feel like they belong? It is time for us to dig deeper and become servers of flesh, where sentience, technology, and individual knowledge gather into an experimentation for a better future.

Curated by Litote, Pierre Chaumont and Marie Chaumont. Featuring Alexandra Ercoli, Angelica Verdan, Curro Rodriguez-Sanchez, David Bellemare, Glosopeda  by Rachel Lamot and Kim Rosario, Jaime Cid-Lara, Lisa Tronca, Luca Lee, Mike Patten, Pedro Gossler, Philippe Caron-Lefebvre, Wednesday Kim, Zander Porter, 10th Floor Studio by Jerome Tavé and Kyle Lawson.

Enter pavilion.


The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.

A pioneering online art event that was born to showcase digital and new media art to a global audience and has grown to become a massive international community and a global reference in the art scene.

A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.

Bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.

The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.


“Actively shaping the narrative of what artistic expression in the digital age can be.“ -

“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.

“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.

“A sign of hope for a new wave of artists.” - STIR.

“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.

For more links visit press.

Next events.

2o25/26. Nov. 1, 2o25 - Mar. 1, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 1, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 1, 2o3o.


2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.

Thank you.

To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.




2o13-2o24©The Wrong Studio
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