Studio Visits: In The Posthuman Atelier.

In an age where robots can replace artists, why deny the pace of progress? One human curator embraces AI by visiting fifty-one entirely artificial artists.

Curated by Patrick Lichty. Featuring Vedran Vuc-676-Cic, Audra Pancake, Mass1M0 Carr10Ne, Sachiko Kuniyama, Shirin Houshian, Ph1L1A 1100010010001, Badriyah Patterson, Paul Herbig, Johannes Kaufmann, Camilo Echevarria, Tara Vox, Riverwood Sorensen, Artificium 334-J452, Viktor Anesiuk, Vikram Acharaya, Maria Lucia Garcia, Viola Van Pelt, Mario La Porta, Malika Akryptika, William Idea, Tanit Saritdikhun, Alfred Ranet, Ionat Pelletier, Susan Uuj89-00Olhy6, Oron Belknap, Janice Collier, Amy Yellowfeather, Mementarius Iaconesi, Li Ho Fook, Anneke Van Ritter, Zafran Parviz, Perkam Dukat, Tappan Velenius, Gossamer Willaman, Kashton Prophet, Grayson Olivier Duchand, Imani Aboye, Juan El Cerro, Jacques La Fontine, Glacus L’enfant, Ernest Palaver, Takemi Omura, Applepi Arclite, Pixelfootz, Apolonnia Antippas, Shane Black, 100010010100001001, Azimbek Pirov, Burak Aksoy, Scott Aronson, Elena Guzmann, David Quiles Guilló.

Enter pavilion.


About.


The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.

The Wrong has grown to become a massive international community and a global reference in the art scene, bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.

A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.

The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.

Next events.


2o25/26. Nov. 1, 2o25 - Mar. 1, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 1, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 1, 2o3o.


Credits.


2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18. 
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.


Thank you.


To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.


Press.


“Actively shaping the narrative of what artistic expression in the digital age can be.“ - Fakewhale.xyz

“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.

“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.

“A sign of hope for a new wave of artists.” - STIR.

“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.

For more links visit press.


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Biennale.

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