Superinternet World.

The Superinternet World is a user-created digital world made of 3D drawable rooms. You can think of the Superinternet World as a very poor metaverse: a world initially composed of empty white cubes, which come to existence only when artists start drawing.

Curated by The Superinternet Foundation, composed by Silvia Dal Dosso, Gabriele Donini, Pablo Galbusera, Pietro Parisi, Stefano Redaelli and Giacomo Scandolara. Featuring Alessandro Mininno, Alex Valentina, Alice Fiorelli, Alvin Sonic Aka Iron Give-A, Andrea Fiorino, Andrea Fogliata, Angela Stempel, Animationseries 2000, Anna Magni, Anny Peng, Chiole, Christopher Bonk, Ciang, Cinzia Zenocchini, Clelia, Clusterduck, Daniel Von Bothmer, Dearvitto, Dinamo, Dissenso Cognitivo, Fat Gomez, Federico Floriani, Francesca Albergo, Gabriele Calvi, Ginevra Boni, Gio Pastori, Giulia Lineette, Giuliano Buttafuoco, Holly Heuser, Joe Tuggle Lacina, Judy Rhum, Karol Sudolski, La Cessa, Lamby, LaTigre, Leonardo Romano, Lil Peeolo, Luca Napoli, Marco Lastrada, Maria Chiara Moro, Martin Lacko, Martina Sarritzu, Massimiliano Vitti, Missgoffetown, Moriz Oberberger, Nick Öhlo, Nicola Campri, Noemi Vola, Nomaebravo, Omermosseri, Paolo Gentili, Pietro Mazza, Pommo, Restlessh0Urs, Robin Vehrs, Shut Up Claudia, Simone, Socially Awkward, Solomostry, Squizzy P, Stay Stoned, Steaci, Steiner & Wolińska, Studio Tonnato, Suzsenne, Víctor Arce (Lxtxcx), Woc, X_X, Xiaotong Liang, Xso, Yunbomu, Zipeng Zhu.

Enter pavilion.


The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.

A pioneering online art event that was born to showcase digital and new media art to a global audience and has grown to become a massive international community and a global reference in the art scene.

A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.

Bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.

The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.


“Actively shaping the narrative of what artistic expression in the digital age can be.“ -

“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.

“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.

“A sign of hope for a new wave of artists.” - STIR.

“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.

For more links visit press.

Next events.

2o25/26. Nov. 1, 2o25 - Mar. 1, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 1, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 1, 2o3o.


2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.

Thank you.

To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.




2o13-2o24©The Wrong Studio
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