Techspressionism: Digital And Beyond.
Techspressionism is introduced as a new art-historical term to describe fine artists using digital technology to convey subjective, emotional content.
Techspressionism distinguishes expressive fine art from such genres as “digital art,” which can include animated movies, and video games, as well as from “new media” works that do not embody convincing artistic intent.
Curated by Colin Goldberg. Featuring Victor Acevedo, Malavika Mandal Andrew, Suzanne Anker, Guillermo Arismendi, Sue Beyer, Mary Boochever, Michaël Borras aka Systaime, Peter Borges, Bernard Bousquet, Davonte Bradley, Janis Brandenburg Lee, Tor Burwell, Adlefino Corino, Lee Day, Diana de Avila, Dubwoman aka Giovanna Sun, Cynthia DiDonato, Roz Dimon, Negin Ehtesabian, Tomaz Favilla, Brandon Gellis, Darcy Gerbarg, Frank Gillette, Colin Goldberg, Holly Gordon, Carter Hodgkin, Clive Holden, Susan Huang, Carol Hunt, Ikatch, Hayede Jamshidi, Renata Janiszewska, Dana Jones, Sherry Karver, Lucie Králíková, Tikoi Kuitenbrouwer, Karen LaFleur, Le Chat Noir, Seungjin Lee, Francene Levinson, Patrick Lichty, Verneda Lights, Gregory Little, LoVid, Chalda Maloff, Diane Marsella, Randi Matsushevitz, Meltdownlove, Sean Mick, Paul D. Miller aka DJ Spooky, Steve Miller, Tommy Mintz, Moonth, Sahar Moussavi, Lee Musgrave, Joseph Nechvatal, N3t4, Roy Nicholson, Philippe Ormières, Michael Paulukonis, Mark Pechlivanos, Ply300, Frederic Pons, Dalton Portella, Michael Pierre Price, Prïnce Magnølia x St Rivera, Elio Ramos-Colón, Michael Rees, Felix Rothschild, Cynthia Beth Rubin, Alessio Sanna, Scarletmotiff, Reese Schroeder, Lee Schnaiberg, Christine Sciulli, ScoJo, Skywaterr, Nina Sobell, Sarah Song and Andy Wauman, Nesrin Söylemez, Anne Spalter, Deann Stein Hasinoff, Mary Ann Strandell, Jan Swinburne, Stephanie Sydney, Andy Thomas, Tintin23X, Oz Van Rosen, Dan Welden, Nina Yankowitz, John Zieman.
Enter pavilion.
Techspressionism distinguishes expressive fine art from such genres as “digital art,” which can include animated movies, and video games, as well as from “new media” works that do not embody convincing artistic intent.
Curated by Colin Goldberg. Featuring Victor Acevedo, Malavika Mandal Andrew, Suzanne Anker, Guillermo Arismendi, Sue Beyer, Mary Boochever, Michaël Borras aka Systaime, Peter Borges, Bernard Bousquet, Davonte Bradley, Janis Brandenburg Lee, Tor Burwell, Adlefino Corino, Lee Day, Diana de Avila, Dubwoman aka Giovanna Sun, Cynthia DiDonato, Roz Dimon, Negin Ehtesabian, Tomaz Favilla, Brandon Gellis, Darcy Gerbarg, Frank Gillette, Colin Goldberg, Holly Gordon, Carter Hodgkin, Clive Holden, Susan Huang, Carol Hunt, Ikatch, Hayede Jamshidi, Renata Janiszewska, Dana Jones, Sherry Karver, Lucie Králíková, Tikoi Kuitenbrouwer, Karen LaFleur, Le Chat Noir, Seungjin Lee, Francene Levinson, Patrick Lichty, Verneda Lights, Gregory Little, LoVid, Chalda Maloff, Diane Marsella, Randi Matsushevitz, Meltdownlove, Sean Mick, Paul D. Miller aka DJ Spooky, Steve Miller, Tommy Mintz, Moonth, Sahar Moussavi, Lee Musgrave, Joseph Nechvatal, N3t4, Roy Nicholson, Philippe Ormières, Michael Paulukonis, Mark Pechlivanos, Ply300, Frederic Pons, Dalton Portella, Michael Pierre Price, Prïnce Magnølia x St Rivera, Elio Ramos-Colón, Michael Rees, Felix Rothschild, Cynthia Beth Rubin, Alessio Sanna, Scarletmotiff, Reese Schroeder, Lee Schnaiberg, Christine Sciulli, ScoJo, Skywaterr, Nina Sobell, Sarah Song and Andy Wauman, Nesrin Söylemez, Anne Spalter, Deann Stein Hasinoff, Mary Ann Strandell, Jan Swinburne, Stephanie Sydney, Andy Thomas, Tintin23X, Oz Van Rosen, Dan Welden, Nina Yankowitz, John Zieman.
Enter pavilion.
About.
The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.
A pioneering online art event that was born to showcase digital and new media art to a global audience and has grown to become a massive international community and a global reference in the art scene.
Bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.
The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.
A pioneering online art event that was born to showcase digital and new media art to a global audience and has grown to become a massive international community and a global reference in the art scene.
A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.
Bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.
The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.
Press.
“Actively shaping the narrative of what artistic expression in the digital age can be.“ - Fakewhale.xyz
“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.
“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.
“A sign of hope for a new wave of artists.” - STIR.
“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.
For more links visit press.
Next events.
2o25/26. Nov. 1, 2o25 - Mar. 1, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 1, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 1, 2o3o.
Credits.
2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.
Thank you.
To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.
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Contact.
2o13-2o24©The Wrong Studio
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