Throwing Digital Bricks: Queer Acts of Protest.

What is the essence of queer art today? How do we represent queerness in the current age? And importantly, how can the realm of digital art draw upon and amplify the enduring spirit of public protest? A glimpse into what contemporary queer art and activism may look like.

Curated by Darleen Martinez and The Selfie Institute. Featuring Alexander Van De Grim, Anicxrn, Arte Silenciosa, Benjamín Armijo, Brissa Breezy, Curious Flux, Danielle Franco, Diana Laura, Displace, Edgar Fabián Frías, Edwin, Gurrumxtx, Ivan Hugo, John Phillips, Kallenia, Kunal Debnath, Letsglitchit, Lydiamoonxx, Lineadeluz, Malicious Sheep, Marimigraine, Naeini, Nft_Murder, Nuwanliss, Pinax, Quetzal Gelo, Rohan Ganapathy, Sordep, Skulltakes.

Enter pavilion.


About.


The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.

The Wrong has grown to become a massive international community and a global reference in the art scene, bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.

A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.

The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.

Next events.


2o25/26. Nov. 1, 2o25 - Mar. 1, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 1, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 1, 2o3o.


Credits.


2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18. 
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.


Thank you.


To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.


Press.


“Actively shaping the narrative of what artistic expression in the digital age can be.“ - Fakewhale.xyz

“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.

“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.

“A sign of hope for a new wave of artists.” - STIR.

“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.

For more links visit press.


TheWrong
Biennale.

Instagram.

Linkedin.

Email.


2o13-2o24©The Wrong Studio
Everything blue is a link.
All rights reserved.