U Are My Problem.
Your diversity is a problem for me. "A problem" in terms of prejudices, stereotypes, artdiversity and neurodiversity to the observer. It aims to provoke reflection on the richness of diversity through artistic expression. It is a multicultural box in which art is a way for express diversity and diversity is described by visual art, indie cinema, conceptual ideas, generative art, interviews and various scientific papers.
Curated by Luigi Starace Luistar, Vincenzo Totaro, Daniele Clementi, Andrej Kovalev, Franca Balla. Featuring Abinadi Meza, Ilaria Pezone, Alexander Limarev, Francesco Granatiero, Franca Balla, Marika Grassano, Giuseppe Intini, Luistar, Ryosuke Cohen Braincell, Tiziana Baracchi, Michael Fox, Luis Díaz García, Luciano Bovina, Stefaan Loncke, Guy Bleus, Giuseppe Riccetti, Massimo Quaglia, Miguel Jimenez, Mariano Bellarosa, Claudio Grandinetti, Eugenia Serafini, Claudio Gavina, E. Sündermann, Michel Della Vedova, Domenico Di Caterino, Emilio Morandi, Lothar Trott, Daniele Davalli, Susanna Lakner, Emily Joe, Willi R. Melnikov, Adolfina de Stefani, Wilhelm Schramm, Lamberto Caravita, Aldo Scorza, Claudio Grandinetti, Ferruccio Gemmellaro, Gordiano Lupi, Vincenzo Totaro.
Curated by Luigi Starace Luistar, Vincenzo Totaro, Daniele Clementi, Andrej Kovalev, Franca Balla. Featuring Abinadi Meza, Ilaria Pezone, Alexander Limarev, Francesco Granatiero, Franca Balla, Marika Grassano, Giuseppe Intini, Luistar, Ryosuke Cohen Braincell, Tiziana Baracchi, Michael Fox, Luis Díaz García, Luciano Bovina, Stefaan Loncke, Guy Bleus, Giuseppe Riccetti, Massimo Quaglia, Miguel Jimenez, Mariano Bellarosa, Claudio Grandinetti, Eugenia Serafini, Claudio Gavina, E. Sündermann, Michel Della Vedova, Domenico Di Caterino, Emilio Morandi, Lothar Trott, Daniele Davalli, Susanna Lakner, Emily Joe, Willi R. Melnikov, Adolfina de Stefani, Wilhelm Schramm, Lamberto Caravita, Aldo Scorza, Claudio Grandinetti, Ferruccio Gemmellaro, Gordiano Lupi, Vincenzo Totaro.
Enter pavilion.
About.
The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.
A pioneering online art event that was born to showcase digital and new media art to a global audience and has grown to become a massive international community and a global reference in the art scene.
Bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.
The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.
A pioneering online art event that was born to showcase digital and new media art to a global audience and has grown to become a massive international community and a global reference in the art scene.
A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.
Bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.
The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.
Press.
“Actively shaping the narrative of what artistic expression in the digital age can be.“ - Fakewhale.xyz
“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.
“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.
“A sign of hope for a new wave of artists.” - STIR.
“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.
For more links visit press.
Next events.
2o25/26. Nov. 1, 2o25 - Mar. 1, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 1, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 1, 2o3o.
Credits.
2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.
Thank you.
To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.
TheWrong
Biennale.
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Contact.
2o13-2o24©The Wrong Studio
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