Un Trapazo.

An exhibition-laboratory of the work processes created within the art of maintenance. There are no artworks (products) but chores, questions assembled to unravel the difference between maintenance, pedagogy, and artistic work. The art of maintenance unites cleaning and care processes, as well as the domestic and non-productive dimensions of life with artistic practices. In Latin America and its diasporas, maintenance challenges art not from the production of the work, but from its development, sharing and erasure of the art-everyday life border.

Curated by Mauricio Patrón Rivera, Maru López García and Nabil Yanai. Featuring Claudia Prado, Virgina Ramirez, Ámbar, Yaré Colán, Ana Salamanca, Maria Prieto, Miguel Angel Palencia, Violette Bule, Yadira Samaniego, Marisol Plard Narváez, Sarahid Getzabet Cortés Cruz, Yeni Rueda López, Stephanie León, Chenoa, Nabil Yanai, JC Aguirre, Lucía Alejandra Luengas Pérez, Mauricio Patrón Rivera, María del Carmen Jiménez, Gabrielle Nicolás Peor, Emma Paulina López Fraga, Sinaí Sánchez Robledo, Jaquelinne Tapia, Paola Livas, Claudia Cano, Iris Diaz, Meches Rosales-Maupin, Maru López García, Las Kellys de Cataluña.

Enter pavilion.


About.


The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.

The Wrong has grown to become a massive international community and a global reference in the art scene, bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.

A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.

The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.

Next events.


2o25/26. Nov. 1, 2o25 - Mar. 1, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 1, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 1, 2o3o.


Credits.


2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18. 
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.


Thank you.


To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.


Press.


“Actively shaping the narrative of what artistic expression in the digital age can be.“ - Fakewhale.xyz

“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.

“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.

“A sign of hope for a new wave of artists.” - STIR.

“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.

For more links visit press.


TheWrong
Biennale.

Instagram.

Linkedin.

Email.


2o13-2o24©The Wrong Studio
Everything blue is a link.
All rights reserved.