VerbivocoVirtual.
Poetry is the art of the word, but it can also be the art of human restlessness before the limits
of language. So, it is expected that poets seek to extrapolate the conventional domains of verbal dynamics. One of the ways to do this is to approach other languages, such as graphic arts, performance, photography, video to reach new frontiers, mixing grammars. And as the restlessness is not exclusive to poetry, it is also expected that artists from other languages approach the art of the word to expand its domains.
Curated by Fabio Fon, Rodolfo Mata and Soraya Braz. Featuring 100porcent_genuine (100%), Abraham Truxillo, Lidya Cota, Adheep Das, Adriano Vilela Mafra, Agil Abdullayev, Aleksei Martyniuk, Ana Pedrosa, Talbert Igor, Andréa Catrópa, Felipe Mariani, Arthur Moura Campos, Benna Gaean Maris, Blanche the Vidiot, Carlos Alcántara, Carmen Garcia, Carmen Garcia, Luca Celi, Celina Collot, Ciberpajé, C.N.S., Clara Goldenstein, Cleber Gazana, Coletiva Terra Femini, Daniel Minchoni, Daniela Lucato, Diego Bonilla, Doménico Chiappe, Elena Buzueva, Fabio Navarro Biazetti, Fabio Fon, Fábio Zerbini, Felipe Ferrara, Fernando Vianna, Karen Caetano, Mariana Seber, Flávio Komatsu, Gabriela Rodrigues, Ines Yajima Habara, Juan Angel Italiano, Juli Manzi, Marcel Rocha, Jürgen Trautwein, Silvia Nonnenmacher, Léa Mainguy, Liliana Vasques, Marcela Peral, Marcelo Carrera Maia, Marlene Font, Martín Rangel, Mayte Gomez Molina, Mez Breeze, Naichen Pan, Paula Valéria Andrade, Paulo Aquarone, Polina Enuvesta, Rafael Frazão, Tiago F. Pimentel, Reuben, ReVerse Butcher, Kylie Supski, Rita Balduino, Rodolfo Mata, Roberto Ncar, Ender Rodríguez, Sharon Bloom, Sohyun Lee, Soraya Braz, Tassia Mila aka Gatopretopulando, Tchello d'Barros, The Same, Tulio Restrepo Echeverri, Vera Sebert, Verônica Lindquist, Ziyi Zhang.
Curated by Fabio Fon, Rodolfo Mata and Soraya Braz. Featuring 100porcent_genuine (100%), Abraham Truxillo, Lidya Cota, Adheep Das, Adriano Vilela Mafra, Agil Abdullayev, Aleksei Martyniuk, Ana Pedrosa, Talbert Igor, Andréa Catrópa, Felipe Mariani, Arthur Moura Campos, Benna Gaean Maris, Blanche the Vidiot, Carlos Alcántara, Carmen Garcia, Carmen Garcia, Luca Celi, Celina Collot, Ciberpajé, C.N.S., Clara Goldenstein, Cleber Gazana, Coletiva Terra Femini, Daniel Minchoni, Daniela Lucato, Diego Bonilla, Doménico Chiappe, Elena Buzueva, Fabio Navarro Biazetti, Fabio Fon, Fábio Zerbini, Felipe Ferrara, Fernando Vianna, Karen Caetano, Mariana Seber, Flávio Komatsu, Gabriela Rodrigues, Ines Yajima Habara, Juan Angel Italiano, Juli Manzi, Marcel Rocha, Jürgen Trautwein, Silvia Nonnenmacher, Léa Mainguy, Liliana Vasques, Marcela Peral, Marcelo Carrera Maia, Marlene Font, Martín Rangel, Mayte Gomez Molina, Mez Breeze, Naichen Pan, Paula Valéria Andrade, Paulo Aquarone, Polina Enuvesta, Rafael Frazão, Tiago F. Pimentel, Reuben, ReVerse Butcher, Kylie Supski, Rita Balduino, Rodolfo Mata, Roberto Ncar, Ender Rodríguez, Sharon Bloom, Sohyun Lee, Soraya Braz, Tassia Mila aka Gatopretopulando, Tchello d'Barros, The Same, Tulio Restrepo Echeverri, Vera Sebert, Verônica Lindquist, Ziyi Zhang.
Enter pavilion.
About.
The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.
A pioneering online art event that was born to showcase digital and new media art to a global audience and has grown to become a massive international community and a global reference in the art scene.
Bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.
The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.
A pioneering online art event that was born to showcase digital and new media art to a global audience and has grown to become a massive international community and a global reference in the art scene.
A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.
Bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.
The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.
Press.
“Actively shaping the narrative of what artistic expression in the digital age can be.“ - Fakewhale.xyz
“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.
“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.
“A sign of hope for a new wave of artists.” - STIR.
“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.
For more links visit press.
Next events.
2o25/26. Nov. 1, 2o25 - Mar. 1, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 1, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 1, 2o3o.
Credits.
2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.
Thank you.
To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.
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2o13-2o24©The Wrong Studio
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