decentralised digital art
biennale.thewrong.org

_{future editions}
november 1 2o27 to march 1 2o28
november 1 2o25 to march 1 2o26
_{upcoming: 6th edition}
november 1 2o23 to march 1 2o24
_{previous editions}
november 1 2o21 to may 1 2o22
november 1 2o19 to march 1 2o2o
november 1 2o17 to january 31 2o18
november 1 2o15 to january 31 2o16
november 1 2o13 to january 31 2o14

the wrong organises art driven, innovative and collaborative projects, online and offline, bringing together curators and artists from all over the globe, providing decentralised platforms as a melting pot for the established, the emerging and the underrepresented, showcasing a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation

now delivering thewrong.tv, a live stream as a video exhibition, and the wrong biennale, an international online/offline art exhibition, open to participation and awarded with sois cultura 2o19 and ehrenerwähnung at s+t+arts 2o2o

the wrong biennale 5th edition featured work by 24oo+ artists selected by 2oo+ curators exhibited in 14o+ pavilions and embassies. thousands of art works and links to navigate in 182 days, 1oo+ events and 2oo+ hours of tv programs streamed online at thewrong.tv and broadcast via portuguese nationwide cable tv canal18o.pt.

the wrong’s 5th edition celebrated its finissage presenting a 10h video program by 72 artists at centre pompidou paris, to later being appointed top ten exhibition of 2o22 by artforum

since its first edition in 2o13, more than 8ooo artists and curators, and 195 institutions and cultural spaces from around the globe have officially participated in the wrong biennale

“a sign of hope for a new wave of artists” - stirworld

“counting its viewership in the millions, the wrong just might be the world’s largest art biennale — the digital world’s answer to venice” - the new york times

“an alternative yet ambitious new path, the wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times” - s+t+arts 2o2o jury

the wrong is an avatar of
david quiles guilló