press-refresh︎ open pavilion by david quiles guilló with annie abrahams & pascale barret & neale willis & alastair levy, nicola aclér, andreja andric, ernesto arboleya, cristian arias, chloe arnold, kathryn ashford, diana azzuz, mitchell barton, peter basma-lord, rachelle beaudoin, aysegul altunok & serhat bek, lavoslava benčić, jason bernagozzi & bryce wemple, tyler bohm, irfan brkovic, laimon brothers, lionel broye, ben byrne, emilie celius, peter chamberlain, pierre chaumont, weiyu chen, ryan cherewaty, lots of colors, ludovic coutinho, damjanski, simon perathoner de caio, nuel van gelder de neufville, matthew dervenkov, marta di francesco, megan dieudonne, wesley dowling, kayla drzewicki, jonas ersland, ali eslami, alma g. ferrer, fabian forban, diana galimzyanova, jerry galle, nathalie gebert, bob georgeson, gertruda gilyte, glia, sam go, ivan grebenshikov, guildor, seth guy, grace kim howard, idiotek, dasha ilina, francesco imola, norka ivanov, manami kakudo, scott kiernan, roland kuit, arnaud laffond, erica lapadat-janzen, delfina liderjover, hugo livet, daniel lobo, garrett lynch, sweaty machines, cassio moreira, josé irion neto, agustina palazzo, lorenzo papanti, jaehun park, sophie penkethman-young, alejandra morote peralta, nacho pezzati, rachel pluton, studio pointer, qigemu, anthony robinson, joão rocha, tyler ryan, philipp schmitt, ronnie sluik, judith sonnicken, sylvain souklaye, char stiles, lotta stoever, aimee suggitt, systaime, zhang tianyi, ivana tkalcic, kris tralewski, inge trienekens, tty, maxim tyminko, vladimir vasic, david veneman, barry whittaker, nick williams, issei yamagata, kevin yatsu, diego zalovich, canek zapata & you︎

About.


The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.

A pioneering online art event that was born to showcase digital and new media art to a global audience and has grown to become a massive international community and a global reference in the art scene.

A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.

Bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.

The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.

Press.


“Actively shaping the narrative of what artistic expression in the digital age can be.“ - Fakewhale.xyz

“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.

“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.

“A sign of hope for a new wave of artists.” - STIR.

“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.

For more links visit press.


Next events.


2o25/26. Nov. 1, 2o25 - Mar. 1, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 1, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 1, 2o3o.


Credits.


2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.


Thank you.


To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.

TheWrong
Biennale.

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2o13-2o24©The Wrong Studio
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