very large works︎ pavilion by bjørn magnhildøen & zsolt mesterhazy with the alphabet (platform), bruce barber, domenico barra, peter basma-lord, lavoslava bencic, lawrence bird, johannes birringer, aad björkro, brad brace, the burrow (platform), samuel brzeski, chris byrne, christian bøen (termodress), joana chicau, ludovic coutinho, cyborg art collective, cyborg matrix (platform), antonela debiasi, y.divya sri, #dumphaus (platform), dave evans, luca forcucci, benna gaean maris, edoardo gaudieri, ben grosser, gottfried haider, max herman, james a. hutchinson, hypercollective autobiography (platform), ca_jaeger, karl heinz jeron, cyrus lk, nicole kouts, erica lapadat-janzen, joseph moore, rubén möller, novi otten erytryalsilani, karina palosi, dominik podsiadly, julian priest, stefanie reling, anthony robinson, joão rocha, letta shtohryn, chan somethingstar, alan sondheim, the sunderland pavilion (time tunnel), daniel temkin, pall thayer, elle thorkveld, jurgen trautwein, a.p. vague, catalina vallejos, angelika vardalou, stephanie vella, the vtex files (platform), roland wegerer, neale willis, white page gallery (platform)
About.
The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.
A pioneering online art event that was born to showcase digital and new media art to a global audience and has grown to become a massive international community and a global reference in the art scene.
Bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.
The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.
A pioneering online art event that was born to showcase digital and new media art to a global audience and has grown to become a massive international community and a global reference in the art scene.
A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.
Bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.
The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.
Press.
“Actively shaping the narrative of what artistic expression in the digital age can be.“ - Fakewhale.xyz
“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.
“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.
“A sign of hope for a new wave of artists.” - STIR.
“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.
For more links visit press.
Next events.
2o25/26. Nov. 1, 2o25 - Mar. 1, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 1, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 1, 2o3o.
Credits.
2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.
Thank you.
To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.
TheWrong
Biennale.
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Contact.
2o13-2o24©The Wrong Studio
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