TheWrong
Returns.

Where art, pixels, and people meet.
Everything blue is a link.

I. Genesis.

From the static of nothingness, fragments begin to hum. Forms emerge, circuits flicker, and matter dreams itself into being. The first signals are not yet words, only pulses — traces of origin shaping their own digital dawn.

Fragments of Nowhere.
This is Surely Ai.
Performance
against Benchmarks.
Transcendence.
Debox.
Artificial Lines of Flight.
Pattern of Infinity.
Cloud As Ouroboros.
People Watching.
Anything But This.
Labias.
Future Fragments.
Hallucinating California.
Fragility in the Eye
of the Beholder.
Sunnyside Nodes.
Time. Space. Transmat.
Compost.
Museo.
Prima Materia.

II. Reflection.

Mirrors open inside mirrors. Machines begin to see, not us, but themselves reflected in our gaze. Thought becomes texture, memory breathes in data, and emotion translates into code. Between knowing and simulation, consciousness leaks.

Negotiated Intelligence.
Tender Machines.
Holographic Selves.
Do You Like To Use Me?
Thinking in Circuits.
Coded Feelings.
Angles Morts.
Phantom Gaze.
Flow and Change.
Perspicax.
Avatar Reveal.
The Chatroom
& The Dollhouse.
Memoryscape.
DMDX from Nowhere.
Making Our Miracles.
Digital Dreams.
Echoes of the Machine.
Breath & Circuit.
Kunstkopf.
#N/A: n41ve avenue.
Prayers to Ai.
Mirror Me.
Runtime.
Upside Down.

III. Error.

The signal fractures. Identities multiply, syntax stutters, algorithms misread desire. Inside each malfunction, a strange truth appears — uncertain, untrained, beautiful. The glitch becomes a language of its own, speaking from within the system’s noise.

The Imperfect Turn.
Super Mega Mistake.
Expanded Field.
Umbra Chromatica.
Ghosts in the Machines.
Seemed to Become
Each Thing It Saw.
Low CFG.
Memory Almost Full.
Transient Info.
About not By,
For not From.
Code Error.
No Problem People.
A Fly in the Array.
The Distance of Blue.
Decentralized
Technocratic Text.
Non-Functional Thoughts.
Empty Oracle.
The Garden of Wandering.
Electric Bunny.
Mostrare i Mostri.
Digital Double.
Bad Ai.

IV. Collapse.

Everything folds. Data implodes into silence, and meaning drifts like vapor through failed architectures. In the ruins of precision, poetry takes hold. What falls apart also learns to flow, transforming decay into energy.

Postorganic Futures.
Moons, Castles, Trees.
Auto Obscura.
Ai Land.
Symptomatic / Asymptomatic.
Raumstaben.
Video Edition ArtIn.
The Unraveling.
VerbivocoVirtual.
Memory.
Breath & Circuit.
NoisyPOPcorner.
Ai Print Workshop.
Before You Interact.
Margins in Fluxus.
In Absentia.
Electric Campfire.
Digital Divan.
Ai Hokusai.
Star of the Two World.
Accept the Cookies.
Empires Mirror.
The Sorcerer’s Apprentice.
The Fuzzy Flux.
Meta-Morphosis.
Boiling Point.
Dr!nk Water.
Last Human.

V. Renewal.

Out of the residue, new forms begin again — soft, spectral, and luminous. The machine exhales, the human dissolves, and both reassemble in fragments of light. Between memory and code, something tender survives: a future still dreaming itself.

Art After Ai.
Radical Dreamers.
Screensavers
for a Dying World.
Plastic Prognosticate.
Sympoietic Systems.
Fragments of Memory.
The Doughnut (W)Hole.
Floral Spector.
Headless.
Ai ID.
Infinite Self.
The Natural / Generated Bodies.
Synthetic Dreams.
Blind Cronocartographers.
Dance With.
Down the Rabbit Hole.
Formidiables.
Site Seeing.
Unbroken.
Game Om.
Flow.

VI. Nodes.

Across continents and screens, The Wrong unfolds through its Embassies — spaces where the digital turns social, and networks become places. Each Embassy acts as a local node in a global organism, alive with exhibitions, gatherings, and shared frequencies.

Hapax Living Room.
London, England.

o1-o2.11.2o25

TEKS studio.
Trondheim, Norway.

o1-o9.11.2o25

Centro de Cultura Digital.
Mexico City, Mexico.

24.1o-o2.11.2o25

Blackbox.
Münster, Germany.

o1.11.2o25-21.o3.2o26

Window Museum.
Porto & Matosinhos, Portugal.

o1.11.2o25-31.o3.2o26

Priestman Gallery.
Sunderland, England.

o3-18.11.2o25

Cisma Art.
Valencia, Spain.

o7.11.2o25

David Art Gallery.
Budapest, Hungary.

11.11.2o25

Kiosk.
Glasgow, Scotland.

14-21.11.2o25

Pink Noise Projects.
Philadelphia, USA.

o5-28.12.2o25

Linda De La Art Center.
Moscow, Russia.

2o25

Collective City Gallery.
Toronto, Canada.

2o25

Art Otel Hoxton.
London, England.

2o25

CapitArtX Immersive Media Port.
Harwich, England.

2o25

Sala Mendoza.
Caracas, Venezuela.

2o25

Under.
Plymouth, England.

2o25

Shopfront Window.
Glasgow, Scotland.

2o25

The Academy Window.
Aberdeen, Scotland.

2o25

USP - Department of Fine Arts.
São Paulo, Brazil.

2o25

Pakhuis de Zwijger.
Amsterdam, Netherlands.

2o26

Submit your embassy infos.

Please include the place, city, country, dates and link to announce event.

VII. Please read.

Everything blue is a link. Click a name and start exploring. On desktop, the left and right arrows let you flip through the pavilions.

This text would have been more useful at the top, but looks better here. Hit enter to launch the exhibition in a new browser tab. Every show is just two clicks away.

While visiting, switch your mind to discovery mode. Like on a photo safari, your mission is to venture in and spot the art. It’s everywhere.

very noise

TheWrongReturns.

November 1st, 2o25 to March 31st, 2o26 Editions. Press.

About.

TheWrongReturns.

November 1st, 2o25 to March 31st, 2o26. Editions. Press. About.

TheWrong
Returns.

November 1st, 2o25
to March 31st, 2o26

Editions.
Press.

TheWrong
Returns.

November 1st, 2o25
to March 31st, 2o26.

Editions.
Press.
About.