TheWrong
Biennale.
The Wrong Biennale is an independent, multicultural, non-profit, decentralized, collaborative and international art biennale.
It operates as a large network of interconnected exhibitions designed to showcase the widest selection of digital art curation ever.
The Wrong Biennale brings together curators, artists, institutions and the public, offering a space to explore creativity in digital culture, promoting collaboration, inclusion, cultural exchange and artistic experimentation.
This innovative model has received wide recognition and praise from the international press, the artistic community and the public. Among its distinctions are the SOIS Cultura award and an honorable mention at the S+T+ARTS award of the European Commission. The Wrong is an institutional member of the IBA - International Biennial Association.
Since its inception in 2o13, The Wrong Biennale has featured over ten thousand artists and curators, with their work showcased in more than eight hundred pavilions, embassies, and institutions worldwide, consolidating its position as a reference in the international contemporary art scene.
It operates as a large network of interconnected exhibitions designed to showcase the widest selection of digital art curation ever.
The Wrong Biennale brings together curators, artists, institutions and the public, offering a space to explore creativity in digital culture, promoting collaboration, inclusion, cultural exchange and artistic experimentation.
This innovative model has received wide recognition and praise from the international press, the artistic community and the public. Among its distinctions are the SOIS Cultura award and an honorable mention at the S+T+ARTS award of the European Commission. The Wrong is an institutional member of the IBA - International Biennial Association.
Since its inception in 2o13, The Wrong Biennale has featured over ten thousand artists and curators, with their work showcased in more than eight hundred pavilions, embassies, and institutions worldwide, consolidating its position as a reference in the international contemporary art scene.
Next editions.
2o25/26. Nov. 1, 2o25 - Mar. 31, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 31, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 31, 2o3o.
2o31/32. Nov. 1, 2o31 - Mar. 31, 2o32.
Previous editions.
2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.
2o25/26. Nov. 1, 2o25 - Mar. 31, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 31, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 31, 2o3o.
2o31/32. Nov. 1, 2o31 - Mar. 31, 2o32.
Previous editions.
2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.
