TheWrong
Returns.

Where art, pixels, and people meet.
Everything blue is a link.

I. Genesis.

From the static of nothingness, fragments begin to hum. Forms emerge, circuits flicker, and matter dreams itself into being. The first signals are not yet words, only pulses — traces of origin shaping their own digital dawn.

Fragments of Nowhere.
Anything But This.
Performance
against Benchmarks.
Transcendence.
Pattern of Infinity.
Negotiated Intelligence.
Cloud As Ouroboros.
People Watching.
Labias.
Ai Hokusai.
Hallucinating California.
The Distance of Blue.
Fragility in the Eye
of the Beholder.
Debox.
This is Surely Ai.
Sunnyside Nodes.
Compost.
Museo.
Prima Materia.

II. Reflection.

Mirrors open inside mirrors. Machines begin to see, not us, but themselves reflected in our gaze. Thought becomes texture, memory breathes in data, and emotion translates into code. Between knowing and simulation, consciousness leaks.

Tender Machines.
Holographic Selves.
Do You Like To Use Me?
Thinking in Circuits.
Coded Feelings.
Angles Morts.
Artificial Lines of Flight.
Flow and Change.
Mad World.
Phantom Gaze.
DMDX from Nowhere.
Making Our Miracles.
Perspicax.
Avatar Reveal.
The Chatroom
& The Dollhouse.
Memoryscape.
Echoes of the Machine.
Latent Spaces.
Kunstkopf.
#N/A: n41ve avenue.
Prayers to Ai.
Mirror Me.
Runtime.
Upside Down.

III. Error.

The signal fractures. Identities multiply, syntax stutters, algorithms misread desire. Inside each malfunction, a strange truth appears — uncertain, untrained, beautiful. The glitch becomes a language of its own, speaking from within the system’s noise.

The Imperfect Turn.
Super Mega Mistake.
Expanded Field.
Umbra Chromatica.
Ghosts in the Machines.
Seemed to Become
Each Thing It Saw.
Low CFG.
Memory Almost Full.
Transient Info.
About not By,
For not From.
Code Error.
I Will Be Your Mirror.
No Problem People.
A Fly in the Array.
Decentralized
Technocratic Text.
Empty Oracle.
Non-Functional Thoughts.
The Garden of Wandering.
Electric Bunny.
Digital Double.
Bad Ai.

IV. Collapse.

Everything folds. Data implodes into silence, and meaning drifts like vapor through failed architectures. In the ruins of precision, poetry takes hold. What falls apart also learns to flow, transforming decay into energy.

Postorganic Futures.
Moons, Castles, Trees.
Auto Obscura.
Ai Land.
Symptomatic / Asymptomatic.
Raumstaben.
Video Edition ArtIn.
The Unraveling.
VerbivocoVirtual.
The Memory Pavilion.
Future Fragments.
NoisyPOPcorner.
Ai Print Workshop.
Before You Interact.
Margins in Fluxus.
In Absentia.
Electric Campfire.
Digital Divan.
Metatopia.
Star of the Two World.
Infinito Cuatro.
Accept the Cookies.
Empires Mirror.
The Sorcerer’s Apprentice.
Meta-Morphosis.
The Fuzzy Flux.
Boiling Point.
Dr!nk Water.
Let Your 4o4s
Bloom into Flowers.
Last Human.

V. Renewal.

Out of the residue, new forms begin again — soft, spectral, and luminous. The machine exhales, the human dissolves, and both reassemble in fragments of light. Between memory and code, something tender survives: a future still dreaming itself.

Art After Ai.
Screensavers
for a Dying World.
Radical Dreamers.
Plastic Prognosticate.
Sympoietic Systems.
Time. Space. Transmat.
Fragments of Memory.
The Doughnut (W)Hole.
Floral Spector.
Judgement Day.
Headless Pavilion.
Ai ID.
Infinite Self.
The Natural /
Generated Bodies.
An Authentic Delirium.
Synthetic Dreams.
Dance With.
Down the Rabbit Hole.
Formidiables.
Unbroken.
Game Om.
Flow.

VI. Nodes.

Across continents and screens, The Wrong unfolds through its Embassies — spaces where the digital turns social, and networks become places. Each Embassy acts as a local node in a global organism, alive with exhibitions, gatherings, and shared frequencies.

_VOID Nomadic Gallery.
Aberdeen, Scotland.

16 to 31.o3.2o26

SomoS Arts.
Berlin, Germany.

o3 to 14.o3.2o26

Vorspiel.
Berlin, Germany.

o9.o1.2o26

Pink Noise Projects.
Philadelphia, USA.

o5 to 28.12.2o25

Linda De La Art Center.
Moscow, Russia.

o5 to 11.12.2o25

SLFRK - Schlossfabrik.
Velbert, Germany.

o6.12.2o25

O Cinema South Beach.
Miami, USA.

o5.12.2o25.

Dispaccio Napoli.
Naples. Italy.

o4 to o8.12.2o25

USP - Department of Fine Arts.
São Paulo, Brazil.

o1.12.2o25.

Cisma Art.
Valencia, Spain.

28.11.2o25

Galerie Elektra.
Montréal, Canada.

o6.11 to 13.12.2o25

David Art Gallery.
Budapest, Hungary.

o1.11.2o25 to 31.o3.2o26

Window Museum.
Porto & Matosinhos, Portugal.

o1.11.2o25 to 31.o3.2o26

Blackbox.
Münster, Germany.

o1.11.2o25 to 21.o3.2o26

Piksel Festival.
Bergen, Norway.

2o to 23.11.2o25

25PES.
Glasgow, Scotland.

14 to 21.11.2o25

_VOID Nomadic Gallery.
Glasgow, Scotland.

12.11 to 11.12.2o25

Cisma Art.
Valencia, Spain.

o7.11.2o25

Alveare Culturale Studio.
Milano, Italy.

o6.11 to 12.12.2o25

Maryland Institute College of Art.
Baltimore, USA.

o6.11.2o25

Piso Cuatro.
Buenos Aires, Argentina.

o5 to o7.11.2o25

Priestman Gallery.
Sunderland, England.

o3 to 18.11.2o25

Centro de Cultura Digital.
Mexico City, Mexico.

24.1o to o2.11.2o25

TEKS studio.
Trondheim, Norway.

o1 to o9.11.2o25

Hapax Living Room.
London, England.

o1 to o2.11.2o25

Collective City Gallery.
Toronto, Canada.

Soon.

Art Otel Hoxton.
London, England.

Soon.

CapitArtX Immersive Media Port.
Harwich, England.

Soon.

Sala Mendoza.
Caracas, Venezuela.

Soon.

Under.
Plymouth, England.

Soon.

Pakhuis de Zwijger.
Amsterdam, Netherlands.

Soon.

VII. Please read.

Everything blue is a link. Click a title and start exploring. On desktop, the left and right arrow keys let you navigate the pavilions.

This text would have been more useful at the top, but looks better here. Hit enter to launch the exhibition in a new browser tab. Every show is few clicks away.

While visiting, switch your mind to discovery mode. Like on a photo safari, your mission is to venture in and spot the art. It’s everywhere.

TheWrongReturns.

November 1st, 2o25 to March 31st, 2o26 Press Room.

Open Call.

About.

TheWrongReturns.

November 1st, 2o25 to March 31st, 2o26. Press Room. Open Call. About.

TheWrong
Returns.

November 1st, 2o25
to March 31st, 2o26

Press Room.

TheWrong
Returns.

November 1st, 2o25
to March 31st, 2o26.

Press Room.
Open Call.
About.