Presentation Deck
2o25/26.
TheWrong
Biennale.
The Wrong Biennale is an independent, multicultural, non-profit, decentralized, collaborative, international art biennial.
It operates as a large network of interconnected exhibitions designed to showcase the widest selection of digital art curation ever.
The Wrong Biennale brings together curators, artists, institutions and the public, offering a space to explore creativity in digital culture, promoting collaboration, inclusion, cultural exchange and artistic experimentation.
This innovative model has received wide recognition and praise from the international press, the artistic community and the public. Among its distinctions are the SOIS Cultura award and an honorable mention at the S+T+ARTS award of the European Commission. The Wrong is an institutional biennial member of the IBA - International Biennial Association.
Since its creation in 2013, The Wrong Biennale has featured more than 10,000 artists and curators, whose works have been exhibited in more than 800 pavilions, embassies and institutions, consolidating its position as a reference in the international contemporary art scene.
It operates as a large network of interconnected exhibitions designed to showcase the widest selection of digital art curation ever.
The Wrong Biennale brings together curators, artists, institutions and the public, offering a space to explore creativity in digital culture, promoting collaboration, inclusion, cultural exchange and artistic experimentation.
This innovative model has received wide recognition and praise from the international press, the artistic community and the public. Among its distinctions are the SOIS Cultura award and an honorable mention at the S+T+ARTS award of the European Commission. The Wrong is an institutional biennial member of the IBA - International Biennial Association.
Since its creation in 2013, The Wrong Biennale has featured more than 10,000 artists and curators, whose works have been exhibited in more than 800 pavilions, embassies and institutions, consolidating its position as a reference in the international contemporary art scene.
Next editions.
2o25/26. Nov. 1, 2o25 - Mar. 31, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 31, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 31, 2o3o.
2o31/32. Nov. 1, 2o31 - Mar. 31, 2o32.
Previous editions.
2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.
2o25/26. Nov. 1, 2o25 - Mar. 31, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 31, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 31, 2o3o.
2o31/32. Nov. 1, 2o31 - Mar. 31, 2o32.
Previous editions.
2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.
The Wrong Biennale is made up of hundreds of exhibitions.
A grand exhibition of exhibitions, organised and hosted, online and offline, by self-appointed curators, exhibiting selected artworks in desentralised pavilions and embassies. All exhibitions take place simultaneously, attracting millions of visitors from around the world.
Pavilions.
Curated virtual spaces as exhibitions, hosted by an artist, curator, collective or institution, where a selection of digital artworks by 10 or more artists are presented.
Embassies.
A physical event, gathering or exhibition related to a pavilion, featuring artwork by 10 or more artists. Art spaces, galleries and cultural institutions in cities around the world develop temporary projects, live performances, round tables, talks, gatherings and exhibitions.