TheWrong
Returns.

Where art, pixels, and people meet.
Everything blue is a link.

I. Genesis.

From the static of nothingness, fragments begin to hum. Forms emerge, circuits flicker, and matter dreams itself into being. The first signals are not yet words, only pulses — traces of origin shaping their own digital dawn.

Fragments of Nowhere.
This is Surely Ai.
Performance
Against Benchmarks.
Formidiables.
Debox.
Artificial Lines of Flight.
Pattern of Infinity.
The Chatroom
& The Dollhouse.
People Watching.
Accept the Cookies.
Sunnyside Nodes.
Empty Oracle.
Ai Hokusai.
Prima Materia.
Runtime.

Labias.

II. Reflection.

Mirrors open inside mirrors. Machines begin to see, not us, but themselves reflected in our gaze. Thought becomes texture, memory breathes in data, and emotion translates into code. Between knowing and simulation, consciousness leaks.

Anything But This.

Thinking in Circuits.

Tender Machines.
Negotiated Intelligence.
Phantom Gaze.
Holographic Selves.
Coded Feelings.
Angles Morts.
Flow and Change.
Perspicax.
Avatar Reveal.
Memoryscape.
DMDX from Nowhere.
Echoes of the Machine.
Do You Like To Use Me?
Breath & Circuit.
Kunstkopf.
#N/A: n41ve avenue.
Future Fragments.
The Distance of Blue.
Prayers to Ai.
Mirror Me.

III. Error.

The signal fractures. Identities multiply, syntax stutters, algorithms misread desire. Inside each malfunction, a strange truth appears — uncertain, untrained, beautiful. The glitch becomes a language of its own, speaking from within the system’s noise.

Expanded Field.
Umbra Chromatica.
Super Mega Mistake.
Ghosts in the Machines.
Seemed to Become
Each Thing It Saw.
Memory Almost Full.
Transient Info.
Code Error.
No Problem People.
Time. Space. Transmat.
About Not By,
For Not From.
A Fly in the Array.
Decentralized
Technocratic Text.
Floral Spector.
Low CFG.
The Fuzzy Flux.
Non-Functional Thoughts.
The Garden of Wandering.
Electric Bunny.
Mostrare i Mostri.
Digital Double.
Bad Ai.

VI. Collapse.

Everything folds. Data implodes into silence, and meaning drifts like vapor through failed architectures. In the ruins of precision, poetry takes hold. What falls apart also learns to flow, transforming decay into energy.

Transcendence.
Hallucinating California.
Postorganic Futures.
Moons, Castles, Trees.
Auto Obscura.
Fragility in the Eye
of the Beholder.
Ai Land.
Symptomatic / Asymptomatic.
Raumstaben.
Video Edition ArtIn.
The Unraveling.
VerbivocoVirtual.
Memory.
Breath & Circuit.
NoisyPOPcorner.
Cloud As Ouroboros.
Ai Print Workshop.
Margins in Fluxus.
Electric Campfire.
In Absentia.
Digital Divan.
Compost.
Star of the Two World.
Empires Mirror.
The Sorcerer’s Apprentice.
Meta-Morphosis.
Boiling Point.
Dr!nk Water.
Last Human.
Museo.

V. Renewal.

Out of the residue, new forms begin again — soft, spectral, and luminous. The machine exhales, the human dissolves, and both reassemble in fragments of light. Between memory and code, something tender survives: a future still dreaming itself.

Art After Ai.
Radical Dreamers.
Screensavers
for a Dying World.
Plastic Prognosticate.
Sympoietic Systems.
Fragments of Memory.
Making Our Miracles.
The Doughnut (W)Hole.
Headless.
Ai ID.
Infinite Self.
The Natural / Generated Bodies.
Synthetic Dreams.
Blind Cronocartographers.
Dance With.
Down the Rabbit Hole.
Site Seeing.
Unbroken.
Game Om.
Flow.

VI. Nodes.

Across continents and screens, The Wrong unfolds through its Embassies — spaces where the digital turns social, and networks become places. Each Embassy acts as a local node in a global organism, alive with exhibitions, gatherings, and shared frequencies.

Hapax Living Room.
London, England.

o1-o2.11.2o25

TEKS studio.
Trondheim, Norway.

o1-o9.11.2o25

Centro de Cultura Digital.
Mexico City, Mexico.

24.1o-o2.11.2o25

Blackbox.
Münster, Germany.

o1.11.2o25-21.o3.2o26

Window Museum.
Porto & Matosinhos, Portugal.

o1.11.2o25-31.o3.2o26

Priestman Gallery.
Sunderland, England.

o3-18.11.2o25

Cisma Art.
Valencia, Spain.

o7.11.2o25

David Art Gallery.
Budapest, Hungary.

11.11.2o25

Kiosk.
Glasgow, Scotland.

14-21.11.2o25

Linda De La Art Center.
Moscow, Russia.

2o25

Collective City Gallery.
Toronto, Canada.

2o25

Art Otel Hoxton.
London, England.

2o25

CapitArtX Immersive Media Port.
Harwich, England.

2o25

Sala Mendoza.
Caracas, Venezuela.

2o25

Under.
Plymouth, England.

2o25

Shopfront Window.
Glasgow, Scotland.

2o25

The Academy Window.
Aberdeen, Scotland.

2o25

USP - Department of Fine Arts.
São Paulo, Brazil.

2o25

Pakhuis de Zwijger.
Amsterdam, Netherlands.

2o26

Submit your embassy infos.

Please include the place, city, country, dates and link to announce event.

VII. Please read.

Everything blue is a link. Click a name and start exploring. On desktop, the left and right arrows let you flip through the pavilions.

This text would have been more useful at the top, but looks better here. Hit enter to launch the exhibition in a new browser tab. Every show is just two clicks away.

While visiting, switch your mind to discovery mode. Like on a photo safari, your mission is to venture in and spot the art. It’s everywhere.

long-distance land-based

TheWrongReturns.

November 1st, 2o25 to March 31st, 2o26 Editions. Press.

About.

TheWrongReturns.

November 1st, 2o25 to March 31st, 2o26. Editions. Press.About.

TheWrong
Returns.

November 1st, 2o25
to March 31st, 2o26

Editions.
Press.

TheWrong
Returns.

November 1st, 2o25
to March 31st, 2o26.

Editions.
Press.
About.