Artists using/exploring issues around AI.

Curated by James Hutchinson, Jonathan Weston, Fiona Larkin. Featuring Craig Ames, Caterina Antonopoulou, Pete Belkin and Lauren Hartman, Albert Bennett-Cowell, Ricardo F. Bodini, Hannah Brown, Udi Cassirer, Abdoul-Ganiou Dermani, Koundinya Dhulipalla, Katia Sophia Ditzler, Melissa Duncan, Fabio Fon, Bob Georgeson, Mike Glover, Ian Haig, Peter Hayes, Michael Hodgson, James Hutchinson, Ioana and Gergana, Clive Jackson, Sophie Keith, Verneda Lights, Nick Lewis, Linea Deluz, Tasha Lizak, Garrett Lynch, Aleksei Martyniuk, Saire Marmite, Peter McAdam, Graham Mitchinson, Left Leg Gallery, Kayoko Nakamura, Su Hyun Nam, Sae Oh, Brad Race, Paul Raymond, Beth J Ross, Helena Swatton, Ivona Tau, Rachel TonThat and Victoria Cheredeeva, Samantha Tweddle, James Stephen Wright, Lilia Li-Mi-Yan and Katherina Sadovsky.

1st November to 1st December 2023.
Open weekdays 10am -5pm.

Priestman Gallery
Sunderland SR1 3PZ
United Kingdom

Enter pavilion.


The Wrong Biennale is an independent, multicultural, desentralised and collaborative international art biennial founded in 2o13 by David Quiles Guilló, and organised by The Wrong Studio.

The Wrong has grown to become a massive international community and a global reference in the art scene, bringing together curators, artists and institutions, online and offline, every two years, garnering praise from worldwide press, art community and public, and rendering institutional recognition and awards like SOIS Cultura and the honorific mention by European Commission S+T+ARTS prize.

A melting pot for the established, the emerging and the underrepresented, to explore creativity and digital culture in a positive and constructive way, The Wrong showcases a wide range of cultures, styles, and mediums to a global audience, fostering a more inclusive and diverse digital art scene, and encouraging artistic growth and experimentation.

The Wrong Biennale has featured work by over ten thousand artists and curators, showcased in over seven hundred pavilions, embassies and institutions around the world.

Next events.

2o25/26. Nov. 1, 2o25 - Mar. 1, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 1, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 1, 2o3o.


2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18. 
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.

Thank you.

To all participants, team and council members, institutions, press, donors, visitors and friends for the positive energy, the support and the dedication over the years.


“Actively shaping the narrative of what artistic expression in the digital age can be.“ -

“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.

“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.

“A sign of hope for a new wave of artists.” - STIR.

“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.

For more links visit press.





2o13-2o24©The Wrong Studio
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