About.
The Wrong Biennale is an independent, non-profit, multicultural, and collaborative art biennial dedicated to showcasing digital art to a global audience.
Decentralized by design, it is organized both online and offline by independent curators who present selected artworks across pavilions and embassies worldwide.
Every two years, it connects curators, artists, institutions, and the public to create a vast exhibition of exhibitions, now recognized internationally as a leading reference in contemporary digital art.
The Wrong has been awarded an honorary mention by the European Commission's S+T+ARTS initiative, and has recently joined the IBA - International Biennial Association as its newest institutional member.
Since its inception in 2o13, The Wrong Biennale has featured over twelve thousand artists and curators, with their work showcased in more than nine hundred pavilions, embassies, and institutions, shaping contemporary art and digital culture worldwide.
Past.
2o13/14. Nov.1, 2o13 - Jan.31, 2o14.
2o15/16. Nov.1, 2o15 - Jan.31, 2o16.
2o17/18. Nov.1, 2o17 - Jan.31, 2o18.
2o19/2o. Nov.1, 2o19 - Mar.1, 2o2o.
2o21/22. Nov.1, 2o21 - May.1, 2o22.
2o23/24. Nov.1, 2o23 - Mar.31, 2o24.
Ongoing.
2o25/26. Nov.1, 2o25 - Mar.31, 2o26.
Next.
2o27/28. Nov.1, 2o27 - Mar.31, 2o28.
2o29/3o. Nov.1, 2o29 - Mar.31, 2o3o.
2o31/32. Nov.1, 2o31 - Mar.31, 2o32.
Press.
“Actively shaping the narrative of what artistic expression in the digital age can be.“ - Fakewhale.xyz
“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.
“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.
“A sign of hope for a new wave of artists.” - STIR.
“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.
This is the part where we ask for support. The Wrong Biennale remains independent, fun, erratic and accessible because people like you donate or buy merch.
These contributions support artists, curators, and experimental practices worldwide. Every contribution counts. Unfortunately (or fortunately), that includes yours.
Your contribution matters.
Thanks for caring.
Team.
Graziela Calfat. CEO.
Alejandra Raschkes. CFO.
David Quiles Guilló. Founder & Chief Curator.
ValléeDuhamel. Guest Visual Artists.