about
celebrating digital culture since 2o13, the wrong is a collaborative effort harnessing the potential of the internet, shaped as a decentralized global art biennale, open to participation, happening both online & offline, awarded with sois cultura 2o19 and ehrenerwähnung at starts 2o2o
“counting its viewership in the millions, the wrong just might be the world’s largest art biennale — the digital world’s answer to venice” - the new york times
since 2o13, more than 55oo artists and curators have officially participated in the wrong biennale
“an alternative yet ambitious new path, the wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times” - s+t+arts 2o2o jury
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“counting its viewership in the millions, the wrong just might be the world’s largest art biennale — the digital world’s answer to venice” - the new york times
since 2o13, more than 55oo artists and curators have officially participated in the wrong biennale
“an alternative yet ambitious new path, the wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times” - s+t+arts 2o2o jury
