About.

The Wrong Biennale is an independent, non-profit, multicultural, decentralized, and collaborative art biennial created to showcase digital art to a global audience, and now grown into a massive international community and a reference in the digital art scene.

The Wrong brings together established, emerging, and underrepresented artists and curators to explore creativity and contemporary digital art in a positive and constructive environment, presenting a diverse range of styles and mediums to a global audience, promoting inclusivity and encouraging cultural growth and experimentation.

Held every two years, The Wrong Biennale connects curators, artists, institutions and the public, to build an exhibition of exhibitions, earning widespread recognition and accolades from the global press, art community, and public.

Notably, it has received awards such as SOIS Cultura and an honorific mention from the European Commission's S+T+ARTS prize. The Wrong is an institutional member of the IBA - International Biennial Association.

Since its inception in 2o13, The Wrong Biennale has featured over ten thousand artists and curators, with their work showcased in more than eight hundred pavilions, embassies, and institutions worldwide.

Join.

The next edition takes place from November 1st, 2o25, to March 31st, 2o26, and it aims to artistically explore the transformative potential of AI-influenced culture.

Check the open call to join as curator or artist.

Follow @thewrong.biennale on instagram for updates on open calls, deadlines and infos.

Press.

“Actively shaping the narrative of what artistic expression in the digital age can be.“ - Fakewhale.xyz

“Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — The digital world’s answer to Venice.” - The New York Times.

“Exploring the unconventional with a deep sense of community and diversity.” - CLOT.

“A sign of hope for a new wave of artists.” - STIR.

“An alternative yet ambitious new path, The Wrong is a concept that could prove key to the flourishing of the arts and culture in post pandemic times.” - S+T+ARTS Jury.

More press.

Next.

2o25/26. Nov. 1, 2o25 - Mar. 31, 2o26.
2o27/28. Nov. 1, 2o27 - Mar. 31, 2o28.
2o29/3o. Nov. 1, 2o29 - Mar. 31, 2o3o.
2o31/32. Nov. 1, 2o31 - Mar. 31, 2o32.

Past.

2o13/14. Nov. 1, 2o13 - Jan. 31, 2o14.
2o15/16. Nov. 1, 2o15 - Jan. 31, 2o16.
2o17/18. Nov. 1, 2o17 - Jan. 31, 2o18.
2o19/2o. Nov. 1, 2o19 - Mar. 1, 2o2o.
2o21/22. Nov. 1, 2o21 - May. 1, 2o22.
2o23/24. Nov. 1, 2o23 - Mar. 31, 2o24.

Team.

Graziela Calfat. CEO.
Alejandra Raschkes. CFO.
David Quiles Guilló. Artistic Director.
Patrick Lichty. Board Director.
Jose Ramón Alcalá. Board Member.
Talita Miranda. Associate Director.
Jen Talbot. Operations.

Social.

Instagram.
Linkedin.
Email.

Donate.

Since 2013, The Wrong Biennale has relied on the generosity of its community.

Your contribution, no matter the amount, helps us remain independent, accessible, and committed to supporting digital art and artists worldwide.

If you value our work, please consider giving us a hand. Every bit helps.

Donate here.
or
Buy me a coffee.

Thank you.

tape loop orchestra

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TheWrongBiennale.

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TheWrong
Biennale.

About.
Editions.
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